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Showing posts with label Jane Austen. Show all posts
Showing posts with label Jane Austen. Show all posts

Friday, 22 September 2023

Jane Austen Festival in Bath - Grand Regency Costumed Promenade 2023

Jane Austen Regency Parade 2023 Bath
 

Bonnets, bayonets and brilliant sunshine

9 September 2023—officially the hottest day of the year in England. It’s early and the sun’s already hot. But the dew is heavy on the grass outside the Holburne Museum in Bath, because it’s September and summer is fading into autumn.

The annual Grand Regency Costumed Promenade—the formal opener to the annual Jane Austen Festival in Bath—is about to get underway.

Passersby stop to gaze and snap the scene. Have they unexpectedly slipped backwards two hundred years to the age of elegance personified by characters from Jane Austen?

Dozens of women in Empire line dresses. Men in high boots and smart jackets. The flash of red from military uniforms. And hats. Lots and lots of hats.

Jane Austen Regency Parade 2023 Bath

 

Nearly 20 years of Regency promenades

Amazingly, it took Bath over 180 years to truly appreciate one of its biggest assets. The Jane Austen Festival began in 2001, some 184 years after the author’s death, with the first Regency costumed promenade in 2004.

The annual Grand Regency Costumed Promenade now attracts hundreds of people, who dress in Regency costume to parade through the streets their heroine once trod. The event holds the Guiness World Record for the ‘Largest gathering of people dressed in Regency costumes’—secured in 2014.

That was the first year we attended. We’ve since been back three times, in 2015, 2016 and, after a break, in 2023.

Every year we’ve made a short film of the promenade. You can see them all on our YouTube channel.

Jane Austen Regency Parade 2023 Bath

 

People come from all over the world

The Grand Regency Costumed Promenade draws a crowd. Not just the surprised tourists and bemused shoppers encountered along the way, but also the participants attracted from around the world.

Yes, you can dress up in Regency costume anywhere, and there are many Jane Austen societies around the globe. But to walk the glowing streets of Bath, looked down upon by the same buildings that once watched Jane—that’s magic you can’t find anywhere else.

However, the promenade is less about words and more about the spectacle. So here are some glimpses into the crowds that strolled the streets with us this year.

Jane Austen Parade 2023

Jane Austen Parade 2023

Jane Austen Parade 2023

Jane Austen Parade 2023

Jane Austen Parade 2023

Jane Austen Parade 2023

Jane Austen Parade 2023

Jane Austen Parade 2023

Jane Austen Parade 2023

Headshot of Rachel Knowles author with sea in background(2021)
Rachel Knowles writes faith-based Regency romance and historical non-fiction. She has been sharing her research on this blog since 2011. Rachel lives in the beautiful Georgian seaside town of Weymouth, Dorset, on the south coast of England, with her husband, Andrew, who now co-authors this blog.

Find out more about Rachel's books and sign up for her newsletter here.

If you have enjoyed this blog and want to encourage us and help us to keep making our research freely available, please buy us a virtual cup of coffee by clicking the button below.

 

All photographs © Andrew Knowles - RegencyHistory.net

Thursday, 20 April 2023

How Captain Wentworth got rich on prizemoney

A Captain in the Navy from A book explaining the ranks and dignities of British Society by C Lamb (1809)
A Captain in the Navy from
A book explaining the ranks and dignities
of British Society
by C Lamb (1809)
You knew your place in Regency society. Whether you were born into a hovel or a grand house, you were likely to end your life in a similar situation. Changing your rank in a society governed by rigid rules of precedence was highly unusual. When it happened, it was normally through unconventional means.

Unless you were an officer in the Royal Navy. Through Captain Wentworth, Jane Austen’s fictional hero in her novel Persuasion, we glimpse a long-established and accepted practice that allowed young men to usurp the usual rules of birth and rank.

That practice was the Royal Navy tradition of prizemoney. It allowed men to acquire huge sums of money relatively quickly, and entirely legitimately. With that money came prestige and power.

Breaking through the ranks of Regency society

Sir Walter Elliot, father of Austen’s heroine in Persuasion, and a committed believer in the principle of rank being fixed by birth, had two complaints about the Navy:

First, as being the means of bringing persons of obscure birth into undue distinction, and raising men to honours which their fathers and grandfathers never dreamt of; and secondly, as it cuts up a man’s youth and vigour most horribly.1

His second complaint had some merit. Life at sea was dirty, dangerous and often disfiguring, as demonstrated by Lord Horatio Nelson, who lost an arm and an eye in battle. But many men risked the perils of life at sea, because it might bring them those honours which their fathers and grandfathers never dreamt of. These honours included cash prizes.

The many wars against France meant Jane Austen’s lifetime was a particularly rich period for Royal Navy prize captures.

Old Sir Archibald Drew and his grandson  by H Thomson (1897) From Persuasion by Jane Austen (1897 edition)
Old Sir Archibald Drew and his grandson 
by H Thomson (1897)
From Persuasion by Jane Austen (1897 edition)

A naval career for ‘persons of obscure birth’

Unlike the army, a naval officer could not purchase a commission. They had to start at the bottom of the officer hierarchy, and they had to start young.

Jane Austen doesn’t tell us when Wentworth joined the Navy, but we should assume he was in his early teens, perhaps younger. Two of Jane’s brothers joined the Navy, Francis and Charles, beginning their careers aged about 12. Horatio Nelson also joined at 12. Most officers joined no later than age 13.

The Austens, Nelson and many others were born into large middle-class families of no particular distinction, and no great income. They were ‘persons of obscure birth’ who needed to become self-sufficient as soon as possible.

The Navy attracted many such men, or rather, boys. Through connections, of family or friendship, they were taken on board ship as a captain’s servant or midshipman. This secured their spot on the lowest rungs of the Navy career ladder. It also entitled them to a share of prizemoney.

We can assume Wentworth’s family background was not dissimilar to that of Jane and her siblings. Frederick Wentworth has a brother who is a curate—again the lowest rung on a career ladder. The implication is that their family is middle-class—perhaps their father was a churchman like Jane Austen’s.

No prizes for a captain without a ship

HMS St Vincent 1815 Portsmouth Harbour by Charles Edward Dixon (1872-1934)
HMS St Vincent 1815 Portsmouth Harbour
by Charles Edward Dixon (1872-1934)
According to Jane Austen, in 1806 the newly-appointed Captain Wentworth is in Somersetshire, without a ship. Here he falls in love with and proposes to Anne Elliot.

Her father considers the match “degrading”. Her friend, Lady Russell, thinks it “most unfortunate”.

Part of the reason, Jane tells us, is that:

Captain Wentworth had no fortune. He had been lucky in his profession; but spending freely, what had come freely, had realised nothing.

Wentworth is 23 years old and has been in the Navy for around a decade. To become a captain he’s risen from being a cabin boy or midshipman, through to lieutenant and then to captain.

Through all those ranks he was entitled to receive prizemoney. He’s been lucky, implying he’s enjoyed success in naval actions, in making good connections and with earning money.

He’s also been spending freely. As a result, in 1806 the captain has no ship, no fortune and therefore, no Anne Elliot.

How the prizemoney system worked

For hundreds of years it had been customary for sailors to be given a share of the value of a captured ship. The ship and its cargo were sold, and the cash shared out.

The prizemoney was split across all the ships at the scene of the action.

This process was enshrined in English law through various acts of Parliament. When Wentworth joined the Navy in around 1796, the rules of the prize allocation had been in place for almost one hundred years.

Allocation was based on dividing the total value of a prize by eight. Two eighths were shared between all the seamen, that is, the lowest ranks on a ship. However, as there were perhaps two or three hundred men, the amount each man received was small.

As a midshipman and then a lieutenant, Wentworth would have done better. Both these ranks had a share of one eighth of the prize value. There being less officers at these ranks, his individual share would have been greater.

Let’s turn that into numbers. The average value of a prize was around £2,300. One eighth of this is £288.

Captains made the most money from the prize system. A captain was entitled to at least two eighths of a prize, perhaps more depending on the circumstances.

So while the £288 was shared between all the lieutenants and others of equal rank, the captain’s share was at least double that—£576. Remember that if more than one ship was at the scene, this would be shared between all the captains.

It could take months, even many years, before prizemoney was finally agreed. Then it was paid in the form of a promissory note. Lower ranks often sold this at a discount, in order to get cash.

Jane Austen implies that Captain Wentworth did well in his first decade in the Navy, including financially. Unfortunately, he spent as much as he earned. As such, his rank in the Navy meant little to the likes of Sir Walter Elliot.

At this stage in his career, Captain Wentworth:

…had nothing but himself to recommend him, and no hopes of attaining affluence, but in the chances of a most uncertain profession, and no connexions to secure even his farther rise in the profession.

Becoming the gallant Captain Wentworth

Sloop USS Peacock capturing British brig Nautilus June 1815
Sloop USS Peacock capturing British brig Nautilus June 1815 
By the time Captain Wentworth returns to England in 1814, he has amassed a fortune of £25,000—more than enough to impress Sir Walter Elliot.

How did he improve his financial situation so dramatically? Through prizemoney.

On leaving Somersetshire in 1806 he got command of the Asp, a sloop based in the West Indies. A sloop is a small ship, often with a crew of less than 50. Despite its size, Wentworth was able to take “privateers enough to be very entertaining”, meaning he captured a number of enemy ships. Each capture brought him prizemoney.

His next command was the Laconia:

“How fast I made money in her. A friend of mine and I had such a lovely cruise together off the Western Islands.”

A year later saw Wentworth cruising in the Mediterranean “when I still had the same luck”.

It took Captain Wentworth just seven years to convert his fortunes. Penniless in late 1806, he returned to Somersetshire in 1814 a very wealthy, and eligible, man. Most, if not all, of that money came from naval prizes.

The majority of naval captains could expect to earn a little over £300 a year. On average, they could expect to earn several times that amount in addition through prizemoney, every year. Jane Austen implies that Wentworth’s earnings were above what many of his contemporaries enjoyed—after all, he enjoyed a fair amount of luck.

And, of course, he won the greatest prize of them all—Anne Elliot.

Captain Wentworth leaves a letter for Anne by H Thomson (1897) From Persuasion by Jane Austen (1897 edition)
Captain Wentworth leaves a letter for Anne
by H Thomson (1897)
From Persuasion by Jane Austen (1897 edition)

Headshot of Rachel Knowles author with sea in background(2021)
Rachel Knowles writes faith-based Regency romance and historical non-fiction. She has been sharing her research on this blog since 2011. Rachel lives in the beautiful Georgian seaside town of Weymouth, Dorset, on the south coast of England, with her husband, Andrew, who wrote this blog.

Find out more about Rachel's books and sign up for her newsletter here.

If you have enjoyed this blog and want to encourage us and help us to keep making our research freely available, please buy us a virtual cup of coffee by clicking the button below.

Note

1. All quotes from Austen, Jane, Persuasion (1817).

Sources used include:

Austen, Jane, Persuasion (1817)
Benjamin, Daniel K, Golden Harvest: The British Naval Prize System 1793-1815 (2009)
Lavery, Brian, Nelson's Navy (1989)

Thursday, 27 October 2022

Fashionable Goodness: Christianity in Jane Austen's England by Brenda S Cox - book review & author interview

Front cover of Fashionable Goodness by Brenda S Cox - Regency couple standing outside church

You won’t travel very far in England without encountering a parish church building. Likewise, you won’t read much Jane Austen before running into a reference to the church.

The Church of England was deeply embedded in the landscape that Austen lived in and wrote about. But just as many of England’s church buildings are now considered relics, the references to church in her writing are seen as throwbacks to another time. The world she inhabited is no more.

What many Austen fans don’t realise is that there are subtleties and humour that escape the modern reader. While we can still laugh at the absurd Mr Collins in Pride and Prejudice, or Mr Elton in Emma, we can’t appreciate the depth of the humour or the pathos as Austen intended.

However, we can now get closer to it with the help of Brenda Cox’s excellent new book, Fashionable Goodness: Christianity in Jane Austen’s England. Motivated by her own Christianity and love of Austen’s works, Brenda sought to better understand faith and church in Regency England.

Mr Collins and Charlotte Lucas by Hugh Thomson in Pride and Prejudice by Jane Austen 1896 edition
Mr Collins and Charlotte Lucas
by Hugh Thomson in Pride and Prejudice
by Jane Austen 1896 edition
Fashionable Goodness: a resource for readers and writers

Brenda wanted to write her own version of an Austen story, but soon realised that to do so meant knowing more about how the church operated in England at that time. Unable to find a book that told her everything she wanted to know, she decided to write one herself.

It was a labour of love that took nearly ten years. The result is an in-depth study not only into the church, but also into Austen’s own experience of faith and religious institutions. It describes how this coloured her writing. This analysis is both broad and deep. It includes discussion of how the clergy were organised, how people worshipped, the different types of church buildings and the typical work of a clergyman.

The book also discusses faith in the community, attitudes to elopement, adultery and divorce, along with the relationship between faith and science.

However, Brenda doesn’t stop there—that’s just part one. In part two she discusses the challenges facing the Church of England during Jane Austen’s time. Part three looks at outreach and the legacy of church.

Chapters cover the Methodist movement, parishioners of colour, Nonconformists and dissenters, and the abolitionist movement. Brenda profiles a number of high-profile Christians such as John Newton (author of Amazing Grace), William Wilberforce, and Hannah More.

It’s easy to forget that the church in Jane Austen’s day had deep medieval roots. This was reflected in complicated, arcane structures that defied easy explanation. These fed into the language of the church, which used terms like  beneficed clergyman, living, advowson, glebe land and prebend stall. Brenda’s book explains all of these, and much more. 

Hannah More from Memoirs of the life and correspondence  of Mrs Hannah More by William Roberts (1835)
Hannah More
from Memoirs of the life and correspondence 
of Mrs Hannah More by William Roberts (1835)
Thorough, in-depth and well referenced

All this material is backed by glossaries and comprehensive notes. There are nearly 100 pages of reference material.

I was given a digital pre-publication copy of the book, so I can’t judge its size and weight. However, the number of pages imply that it’s sizeable.

Brenda states that she started looking into faith and church in the time of Jane Austen as research for a novel. But she learned so much that she wanted to share it with others who, like her, loved Austen and the church.

Arguably, she could have appealed to a wider audience by sharing less. Many researchers, excited by the wealth of their discoveries, are tempted to share everything they have learned. There will be some who appreciate that depth, while others would prefer a summarised approach.

There’s little to criticise in Brenda’s work. Inevitably, given the depth she goes to, the same passages of Austen are referred to over and over, with different emphasis. In some sections there’s quite a lot of explanations, or the reader is referred to the many pages of notes, or the comprehensive glossary. This is inevitable, given the unfamiliar and sometimes confusing terminology used by the church.

Box pews, Loughwood Meeting House, Devon (2015)
Box pews, Loughwood Meeting House, Devon (2015)

A fascinating read containing a wealth of stories

Brenda’s work makes a fascinating read for anyone who (like me) loves to dig deep into the world of the late eighteenth and early nineteenth centuries. So often I’m left wanting more— not so with this book.

The book contains a wealth of stories about Christians who lived around the time of Jane Austen. I was intrigued to learn about ‘spiritual routs’ hosted by Lady Huntingdon, the faith of property-owning black man Ignatius Sancho, and the evangelical fervour of Charles Simeon. Austen may have known about some, even all, of these people. While they, or characters like them, do not appear in her novels, they were part of the world around her.

I highly recommend Brenda’s book to anyone seeking to better understand the thoughts behind church and clergy references in Jane Austen.

From our twenty-first century perspective it’s easy to forget how deeply church and faith influenced every aspect of life in Jane Austen’s England. Any author claiming to write historical fiction of this period, and who wants to be taken seriously, can’t afford to neglect this.

Andrew interviews Brenda S Cox

Buy Fashionable Goodness: Christianity in Jane Austen’s England

About the author 

Photo of Brenda S Cox
Brenda S Cox has loved Jane Austen since she came across a copy of Emma as a young adult; she went out and bought a whole set of the novels as soon as she finished it! She has spent years researching the church in Austen’s England, visiting English churches and reading hundreds of books and articles, including many written by Austen’s contemporaries. She speaks at Jane Austen Society of North America meetings (including three AGMs) and writes for Persuasions On-Line (JASNA journal) and the websites Jane Austen’s World and Faith, Science, Joy, and Jane Austen. 

You will look at Mr. Collins, the Crawfords, the Dashwoods, the Tilneys, the Wickhams, and Willoughbys—and especially Fanny Price!—with new and surprising insights. Bravo to Brenda Cox for giving us this very accessible, illuminating take on the ‘fashionable goodness’ of Austen’s era! 

Deborah Barnum, Jane Austen in Vermont

Headshot of Rachel Knowles author with sea in background(2021)
Rachel Knowles writes faith-based Regency romance and historical non-fiction. She has been sharing her research on this blog since 2011. Rachel lives in the beautiful Georgian seaside town of Weymouth, Dorset, on the south coast of England, with her husband, Andrew, who wrote this review.

Find out more about Rachel's books and sign up for her newsletter here.

If you have enjoyed this blog and want to encourage us and help us to keep making our research freely available, please buy us a virtual cup of coffee by clicking the button below.

 

© RegencyHistory.net

Wednesday, 1 June 2022

Visiting cards in the Regency

Copper plate filled with facsimile Regency visiting cards (Rachel Knowles's experimental history 2022)
Facsimile Regency visiting cards
(Rachel Knowles's experimental history 2022)
Visiting cards

Visiting cards or calling cards were small rectangular pieces of card similar to a business card today. They were inscribed with a person’s name and often but not always with their address. An important part of Regency etiquette, visiting cards could be used for initiating contact with a stranger, as well as letting someone know you had called.

What did a Regency visiting card look like?

They varied in size and design, but the consistent theme seems to have been small and rectangular.

Some were plain rectangles of parchment or card, whereas others came with a pre-printed design around the edge.

Several of the printed cards I looked at were by William Sharp (1749–1824) – one of the most distinguished British line engravers. He engraved plates for trade cards as well as visiting cards.

Trade card for William Sharp, Engraver London (1749-1824) The Met Museum DP885194
Trade card for William Sharp, Engraver
London (1749-1824) The Met Museum DP885194
Calling cards were always inscribed with the person’s name. I came across a few examples of cards with two names on—typically, a lady and her daughter. The cards did not always include their address. Some mentioned the person’s position.

Some cards had the details handwritten, others had the name engraved onto the card. Some, like Colonel Roche’s card designed by Cipriani, had the name incorporated in an elaborate design.

You can look at a large collection of calling cards in the British Museum collections here.

How big were Regency visiting cards?

The visiting cards I looked at in the British Museum’s collection varied in size, ranging from 32mm X 66mm to 78mm X 121mm. The majority of cards were at the smaller end of the scale.

To put this into context, a standard US business card today is 50.8mm X 88.9mm (3.5 X 2 inches) and a standard British card today is a little wider and shorter at 55mm X 85mm.

I decided to do a little bit of experimental history. Using the cards on the British Museum’s website as a guide, I created a number of facsimile Regency visiting cards for characters in my novels using the dimensions of actual cards and similar designs.  

The photo below shows my card (based on US measurements despite being in the UK!) and a selection of the cards I made. As you can see, most of the calling cards are smaller.

Although many of the plainest and smallest cards I looked at were for men, some gentlemen’s cards were as big and as elaborate as those used by ladies.

Facsimile Regency visiting cards with a modern business card to show relative sizes (Rachel Knowles's experimental history 2022)
Facsimile Regency visiting cards with a modern business
card to show relative sizes
(Rachel Knowles's experimental history 2022)
Leaving cards when someone was ‘not at home’

The etiquette of leaving cards is linked to the etiquette surrounding morning calls.

You can read about morning calls here.

When making a morning call, it was customary to present your card on arrival. By this means, the visitor discovered whether the host was ‘at home’ to visitors and specifically, whether they were willing to receive you.

If the visitor was an acquaintance, then the response of ‘not at home’ either meant that the person was out, or that it was simply not a convenient time for visitors.

In Domestic Duties or Instructions to young married ladies on the management of their households (1825), Mrs Parkes wrote:

As the words ‘not at home’ have become synonymous with ‘being engaged’, they neither deceive , nor are intended to deceive; therefore they may be employed innocently, as far as regards our friends and ourselves.1

If the visitor was a stranger, then ‘not at home’ might mean the same, but it might indicate that the person did not desire the acquaintance.

Either way, if the person was not at home, the visitor would leave their card. They might turn down the corner of the card to indicate they had visited personally. Alternatively, as in one example I found at the British Museum, they might write the words ‘called’ or similar on it to indicate that they had left the card in person.

In Sense and Sensibility, Elinor Dashwood knew that Edward Ferrars was in town because he left his card:

Edward assured them himself of his being in town, within a very short time, by twice calling in Berkeley Street. Twice was his card found on the table, when they returned from their morning’s engagements. Elinor was pleased that he had called; and still more pleased that she had missed him.2

Etiquette dictated that the person should return the visit as soon as possible. However, if the visitor was a stranger and the person did not desire the acquaintance, it was sufficient to send a card instead.

In February 1807 Jane Austen wrote of a visitor they had missed whose visit they were unable to return because the visitor had left no address:

Mary has for some time had notice from Mrs Dickson of the intended arrival of a certain Miss Fowler in this place. Miss Fowler is an intimate friend of Mrs Dickson, and a good deal known as such to Mary. On Thursday last she called here while we were out. Mary found, on our return, her card with only her name on it, and she had left word that she would call again. The particularity of this made us talk, and, among other conjectures, Frank said in joke, “I dare say she is staying with the Pearsons.” The connection of the names struck Mary, and she immediately recollected Miss Fowler's having been very intimate with persons so called, and, upon putting everything together, we have scarcely a doubt of her being actually staying with the only family in the place whom we cannot visit.3

19th century silver calling card tray, Redlich Co. Minneapolis Institute of Art
19th century silver calling card tray, Redlich Co.
Minneapolis Institute of Art
How many cards should be left?

It was polite to leave a card to each person in the household whom you had intended to visit.

In Domestic Duties (1825) Mrs Parkes wrote:

Where cards are to be left, the number must be determined according to the various members of which the family called upon is composed. For instance, where there are the mother, aunt, and daughters (the latter having been introduced to society), three cards should be left.4

Leaving cards on arrival in town

When a person arrived in a town where they had some acquaintance, it was customary to call or leave cards to let them know of your arrival.

In Jane Austen’s Sense and Sensibility, Mrs Jennings left cards on her return to London:

The morning was chiefly spent in leaving cards at the houses of Mrs Jennings’s acquaintance to inform them of her being in town.5

Some hotels had printed cards for those staying there to use. A hotel guest could write their details on these cards and leave them with their acquaintances so they would know where they were staying.

Facsimile hotel cards with handwritten names (Rachel Knowles's experimental history 2022)
Facsimile hotel cards with handwritten names
(Rachel Knowles's experimental history 2022)
Leaving cards to begin an acquaintance

If you deemed someone worthy of being included in your circle of acquaintance, you could leave your card in the hope of initiating a relationship.

In Persuasion, Sir Walter Elliot and Miss Elliot made such an impact on Bath society that they were inundated with cards:

Their acquaintance was exceedingly sought after. Everybody was wanting to visit them. They had drawn back from many introductions, and still were perpetually having cards left by people of whom they knew nothing.6

In a letter to her sister in January 1807 Jane Austen complained that their acquaintance was growing too quickly:

Our acquaintance increase too fast. He was recognized lately by Admiral Bertie, and a few days since arrived the Admiral and his daughter Catherine to wait upon us. There was nothing to like or dislike in either. To the Berties are to be added the Lances, with whose cards we have been endowed, and whose visit Frank and I returned yesterday.7

Leaving cards to convey thanks

Cards could also be sent to convey thanks. In Arthur Freeling’s The Pocket Book of Etiquette (1837) he wrote:

After dining at the house of a lady , it is customary to leave a card the next day, or as soon after as circumstances will permit.8

Leaving cards to take leave

When a person was leaving the area, such as going from London to the country, it was customary to take leave in person, or by leaving cards.

Leaving a calling card after receiving a verbal invitation

In The Pocket Book of Etiquette (1837) Freeling wrote that it was advisable to leave a card after a verbal invitation from an acquaintance:

Occasionally verbal invitations are given to evening parties, by persons with whom you have not been in habits of intimacy. To prevent the awkwardness of being an unexpected visitor, you will, previous to the party, leave your card with the lady of the house.9

Sending and receiving cards when someone got married

When a gentleman married, he might have acquaintances that he would not wish to be part of the circle he would introduce to his wife. After his marriage, he and his wife would send cards to those acquaintances they wished to keep. If you did not receive a card, you assumed that the relationship had been dropped.

In The Pocket Book of Etiquette (1837) Freeling wrote:

When a man is about to be married, it is customary for him to give a dinner to his bachelor friends. He then informs them of the intended alteration in his circumstances; the health of the bride elect is drank, and it is understood that the visiting acquaintanceship ceases, unless a special invitation is received, or unless a desire to renew it be intimated by his sending his own and his wife's cards, with the customary favors.10

Etiquette required the couple to send cards in return for any left at their house after their marriage. Mrs Parkes wrote in Domestic Duties (1825):

A newly married woman, on arriving at her future home, will have to send her cards in return for those which are left at her house, after her marriage. She may afterwards expect the calls of her acquaintance; for which it is not absolutely necessary to remain at home, although politeness require that they should be returned as soon as possible. But having performed this, any further intercourse may be avoided (where it is deemed necessary) by a polite refusal of invitations.11

In Sense and Sensibility, the self-interested Lady Middleton

…determined (though rather against the opinion of Sir John) that as Mrs Willoughby would at once be a woman of elegance and fortune, to leave her card with her as soon as she married.12

Leaving cards when someone died

It was customary to leave a card in condolence rather than visiting someone who had been bereaved unless you knew the person very well.

Sending a card with a letter of recommendation

Sometimes, a stranger was given a letter of introduction by a mutual acquaintance or someone of importance. In these cases, it was customary to deliver the letter in person, and to include a visiting card with the letter.

Etiquette demanded that the person receiving the letter of introduction should respond by sending a card as soon as possible. They were not, however, obliged to receive the person.

Putting your connections on display 

Facsimile Regency visiting cards for the Earl and Countess of Castleford (the couple from A Reason for Romance) I'm sure Sir Walter would have wanted these cards on display too! (Rachel Knowles's experimental history 2022)
Facsimile Regency visiting cards for the Earl and
Countess of Castleford (the couple from A Reason for Romance)
I'm sure Sir Walter would have wanted these cards on display too!
(Rachel Knowles's experimental history 2022)

Having the right connections could make a lot of difference to your standing in society. In Persuasion, Sir Walter Elliot is desperate for his relative, the Dowager Viscountess Dalrymple, to recognise him:

Sir Walter, however, would choose his own means, and at last wrote a very fine letter of ample explanation, regret, and entreaty, to his right honourable cousin. Neither Lady Russell nor Mr Elliot could admire the letter; but it did all that was wanted, in bringing three lines of scrawl from the Dowager Viscountess. "She was very much honoured, and should be happy in their acquaintance." The toils of the business were over, the sweets began. They visited in Laura Place, they had the cards of Dowager Viscountess Dalrymple, and the Honourable Miss Carteret, to be arranged wherever they might be most visible: and "Our cousins in Laura Place,"—"Our cousin, Lady Dalrymple and Miss Carteret," were talked of to everybody.13

Headshot of Rachel Knowles author with sea in background(2021)
Rachel Knowles writes clean/Christian Regency era romance and historical non-fiction. She has been sharing her research on this blog since 2011. Rachel lives in the beautiful Georgian seaside town of Weymouth, Dorset, on the south coast of England, with her husband, Andrew.

Find out more about Rachel's books and sign up for her newsletter here.

If you have enjoyed this blog and want to encourage me and help me to keep making my research freely available, please buy me a virtual cup of coffee by clicking the button below.

 

Notes

  1. Parkes, Mrs William, Domestic Duties or Instructions to young married ladies on the management of their households (London, 1825).
  2. Austen, Jane, Sense and Sensibility (1811).
  3. Austen, Jane, Jane Austen's Letters, Collected and Edited by Le Faye, Deirdre (1995).
  4. Parkes op cit.
  5. Austen, Jane, Sense and Sensibility (1811).
  6. Austen, Jane, Persuasion (1817).
  7. Austen, Jane, Jane Austen's Letters, Collected and Edited by Le Faye, Deirdre (1995).
  8. Freeling, Arthur, The Pocket Book of Etiquette (Liverpool, 1837).
  9. Ibid.
  10. Freeling op cit.
  11. Parkes op cit.
  12. Austen, Jane, Sense and Sensibility (1811).
  13. Austen, Jane, Persuasion (1817, London)

Sources used include:
Austen, Jane, Emma (1815, London)
Austen, Jane, Jane Austen's Letters, Collected and Edited by Le Faye, Deirdre (Oxford University Press, 1995)
Austen, Jane, Mansfield Park (1814, London)
Austen, Jane, Northanger Abbey (1817, London)
Austen, Jane, Persuasion (1817, London)
Austen, Jane, Pride and Prejudice (1813, London)
Austen, Jane, Sense and Sensibility (1811, London)
Freeling, Arthur, The Ladies' Pocket Book of Etiquette (7th edition) (London, 1840)
Freeling, Arthur, The Pocket Book of Etiquette (Liverpool, 1837)
Parkes, Mrs William, Domestic Duties or Instructions to young married ladies on the management of their households (London, 1825)
Trusler, Rev Dr John, A System of Etiquette (1804) 

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