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Showing posts with label Georgian period. Show all posts
Showing posts with label Georgian period. Show all posts

Saturday, 31 October 2020

Duels - a Regency History guide

A duel by Robert Cruikshank from The English Spy by B Blackmantle (1825)
A duel by Robert Cruikshank from The English Spy by B Blackmantle (1825)
What was a duel?

A duel was a planned combat between two gentlemen using lethal weapons in the presence of witnesses. Duels were often referred to as affairs of honour because a gentleman fought to ‘remove the stain which he conceives attaches to his honour.’1

In his 1821 book on ‘ordeals’, Gilchrist described a duel:

The term 'Duel' signifies a single combat originating in a feeling of personal offence, and followed by a regular Cartel, or challenge, fixing a time and place, mutually convenient to the combatants. These individuals are termed principals, and are usually accompanied to the field, by two gentlemen, in the quality of friends, or seconds, for the purpose of arranging, and superintending, all the preliminaries, and proceedings of the combat.2

The challenge

If a gentleman took offence at another gentleman's actions or words, he could challenge that gentleman to a duel. The challenger demanded satisfaction from the offender. It was considered more gentlemanlike to meet each other in a duel than to descend into a fist fight like the lower classes.

In The Duelling Handbook (1829), Hamilton’s third rule in the royal code of honour stated:

In a case which appears to require recurrence to a duel, the challenge should always emanate from the individual who first conceives himself offended. 3

Did a gentleman have to accept a challenge?

Hamilton’s first rule in the royal code of honour said:

No duel can be considered justifiable, which can be declined with honour, therefore, an appeal to arms should always be the last resource. 4

In Principles of Politeness (1798), Trusler wrote:

I am happy to find that gentlemen, men of honour, and even military men in some cases, appeal to the civil laws of their country, when challenged, instead of the sword; and they appear to be countenanced in so doing. 5

The trouble was that most gentlemen found it hard to decline a challenge ‘with honour’, afraid of being labelled a coward.

In a speech against duelling in 1830, Crampton said:

No man loves to fight for fighting sake; he fights because he fears he cannot honourably decline the combat. 6

There was no slur on a gentleman’s character if he refused a challenge from a man who he deemed unworthy in rank (such as a servant) or character (such as a known criminal).

Two gentlemen duelling with pistols W Sams (1823) Wellcome Collection
Two gentlemen duelling with pistols W Sams (1823) Wellcome Collection
Could an apology be made?

It was the first duty of the seconds to try to effect a reconciliation between the parties. True gentlemanlike conduct was for the challenger to accept an apology if he could do so with honour.

Hamilton’s code of honour stated that:

Every apology which may be proposed, should be as dignified as the nature of the circumstances will admit of, it being inconsistent with true honour, to attempt the unnecessary degradation of an adversary. 7

The first offence required the first apology, even if the retort was more offensive than the insult.

If blows had been exchanged, no verbal apology could be given.

Hamilton stated:

An apology, with its usual accompaniment, the offer of a whip or switch, should always be accepted for a blow, or for any other offence, which may be considered an assault. 8

The weapons

Most Georgian duels used duelling pistols, but some were fought with swords. It is not clear whether the challenger or the challenged chose the weapon.

Hamilton quoted The Practice of Duelling and the Point of Honor, settled at the Clonmel summer assizes in 1777 and adopted throughout Ireland. These rules stated that the challenged party had the right to choose the weapon, though the challenger could decline swords if he gave his honour that he was no swordsman.

However, Trusler disagreed and said that it was the challenger who could choose:

Duelling is called demanding, and giving satisfaction; and it is the etiquette generally on these occasions that the challenger or party aggrieved, has the choice of weapons; and if pistols are determined on, to have the first fire; and the party challenged, being the aggressor, is to stand quietly to be shot at; when, if he is not killed; or rendered unable to return the fire, it is at his option either to fire at his antagonist, or discharge his pistol in the air; if he does the latter, the affair ends, and the challenger has had the Christian satisfaction of trying to murder his enemy, whom his Redeemer directs him to love. 9

Was it legal?

No! As a result, duels tended to happen at out of the way places, usually very early in the morning. Gentlemen considered that the etiquette surrounding a duel distinguished it from cold-blooded murder should one or both combatants be mortally injured.

In theory, the law made no such distinction, and a man could be sentenced to death for murdering his opponent in a duel, but the courts tended to be lenient, unless there were signs of impropriety.

Gilchrist made a study of duels from the accession of George III up to 1821. He wrote:

It appears, that in one hundred and seventy-two combats (including three hundred and forty-four individuals,) sixty-nine persons were killed; that in three of these neither of the combatants survived; that ninety-six were wounded, forty-eight of them desperately, and forty-eight slightly; that one hundred and eighty-eight escaped unhurt.

From this statement it will be seen that rather more than one-fifth of the combatants lost their lives, and that nearly one-half received the bullets of their antagonists.

It appears, also, that only eighteen trials took place; that six of the arraigned were “acquitted,” seven found guilty of “manslaughter,” and three of murder; that two were executed, and eight imprisoned during different periods. 10

Trusler disapproved of this leniency. He wrote:

The duellist who puts his antagonist to death, to support his honour; and thro' fear of being branded with cowardice, is no less criminal than the woman who puts her child to death, to preserve her honour, and conceal her and though the law punishes the latter with death, and winks at the former, in compliance with prejudice, reconciling it under the idea of self-defence; yet God, who sees not as man seeth, will punish both one and the other. 11

The dance of death: the duel by T Rowlandson (1816) Wellcome Collection
The dance of death: the duel by T Rowlandson (1816) Wellcome Collection
The role of the second

Each gentleman in a duel appointed one or two seconds – friends who would stand by them in the duel.

The first duty of a second was to effect a reconciliation without resort to violence, but failing this, the formal challenge was delivered to the challenged gentleman’s second.

Trusler advised:

If you are reduced to the necessity of giving a challenge, never commit it to writing, but convey it by the friend you have appointed your second; the letter conveying it will be evidence against you in a court of law. 12

It was the responsibility of the seconds to arrange the meeting and ensure fair play. The second of the challenged party set the ground and place of meeting.

In The Practice of Duelling and the Point of Honor (1777) used in Ireland and quoted by Hamilton, it stated that the challenger chose the distance, but it is not clear whether this was the case in England. Hamilton’s code of honour stated that parties should never be allowed to fight at less than ten yards distance.

For pistols, the seconds fixed the time and terms of firing, measured out the paces and loaded the guns.

For swords, the seconds ensured that the ground was clean, dry and even, and similar for both parties, and that the swords were of equal length to ensure fair play.

It was the duty of the seconds to step in and stop the duel after satisfaction had been gained. However, this was not always the case as sometimes the seconds joined in the duel.

Where were duels fought?

The challenged party had the choice of ground. A remote location was generally sought as duels were illegal and the parties did not want the meeting to be stopped by a constable of the law. London duels were fought in places like Hyde Park, Putney Heath, Wimbledon Common and Chalk Farm, north of Camden.

When did the duel stop?

It varied at what point a duel stopped, depending on what the seconds had agreed. would give the challenger satisfaction. Once honour had been satisfied, the parties were reconciled, and the matter considered closed.

For pistols, typically they fired one or more shots each, either together or taking it in turns starting with the challenger. Alternatively, they could continue until one or both parties were disabled. It was the duty of the seconds to try to end the duel after each round.

For swords, the duel continued until one party was badly wounded, disabled or disarmed, or until blood was drawn and the challenged party begged pardon.

Hamilton wrote:

He must have a truly murderous spirit who will fire at any gentleman after he discharges his pistol in the air, and whether swords or pistols are selected, the appearance of blood should generally terminate a duel. 13

Why were duels fought?

Many duels were fought over serious offences, such as the defence of a woman’s honour, or a gentleman’s character. But sometimes challenges were given for less honourable causes, such as gambling disputes or words spoken rashly, particularly under the influence of alcohol.

From Cecilia by Fanny Burney (1825 edition)
From Cecilia by Fanny Burney (1825 edition)
Colonel Brandon and Willoughby

In Sense and Sensibility, Jane Austen referred to the duel fought between Colonel Brandon and Willoughby over his ward Eliza’s honour:

“Have you,” she [Elinor] continued, after a short silence, “ever seen Mr Willoughby since you left him at Barton?”

“Yes,” he replied gravely, “once I have. One meeting was unavoidable.”

Elinor, startled by his manner, looked at him anxiously, saying, “What? have you met him to—"

“I could meet him no other way. Eliza had confessed to me, though most reluctantly, the name of her lover; and when he returned to town, which was within a fortnight after myself, we met by appointment, he to defend, I to punish his conduct. We returned unwounded, and the meeting, therefore, never got abroad.”

Elinor sighed over the fancied necessity of this; but to a man and a soldier she presumed not to censure it.14

Lord Paget and Captain Cadogan

In 1809, Captain Cadogan challenged Henry Paget, Lord Paget, later 1st Marquess of Anglesey, to a duel for eloping with his sister Charlotte, who was married to Henry Wellesley, a younger brother of Arthur Wellesley, Duke ofWellington.

They met at 7am on 30 May 1809 on Wimbledon Common. Twelve paces apart, they fired together. Cadogan fired; Paget did not aim.

Gilchrist reported Paget as saying:

Nothing could ever have induced me to add to the injuries I have already done the family, by firing at the brother of Lady Charlotte Wellesley.15

William Pitt the Younger and George Tierney

In 1798, George Tierney objected to an expression used by William Pitt in the House of Commons and challenged him to a duel. They met on Putney Heath on 21 May 1798 at 3pm. At twelve paces, they fired two pistols each to no effect. Pitt fired his pistol in the air bringing the matter to a close with perfect honour on both sides.

Lord Castlereagh and George Canning

In 1809, Lord Castlereagh challenged Canning to a duel complaining that he had secretly tried to get him removed from office because of incapacity while continuing to work with him in the open.

The meeting took place on 21 September 1809 on Putney Heath at ten yards. The first shot missed, but in a second, Canning received a flesh wound in his left thigh.

Sir Robert Floyer and Mr Belfield in Cecilia

In Fanny Burney’s Cecilia, Sir Robert Floyer and Mr Belfield fought a duel prompted by a dispute for the right to escort Cecilia out of the pit of the Opera House. Sir Robert refused to make an apology for his rudeness. In the duel, Mr Belfield was wounded but not fatally.

Headshot of Rachel Knowles author with sea in background(2021)
Rachel Knowles writes clean/Christian Regency era romance and historical non-fiction. She has been sharing her research on this blog since 2011. Rachel lives in the beautiful Georgian seaside town of Weymouth, Dorset, on the south coast of England, with her husband, Andrew.

Find out more about Rachel's books and sign up for her newsletter here.

If you have enjoyed this blog and want to encourage me and help me to keep making my research freely available, please buy me a virtual cup of coffee by clicking the button below.

Notes

1.                   Hamilton, Joseph, The Duelling Handbook (1829).

2.                   Gilchrist, James P, A brief display of the origin and history of ordeals (1821).

3.                   Hamilton op cit.

4.                   Ibid.

5.                   Trusler, Rev Dr John, and Chesterfield, Lord, Principles of Politeness and of knowing the world (1798).

6.                   Crampton, Philip Cecil, Speech of P C Crampton, Esq, at a public meeting of the Association for the Suppression of Duelling held in Dublin on Thursday June 10th 1830.

7.                   Hamilton op cit.

8.                   Ibid.

9.                   Trusler op cit.

10.               Gilchrist op cit.

11.               Trusler op cit.

12.               Ibid.

13.               Hamilton op cit.

14.               Austen, Jane, Sense and Sensibility (1811, London)

15.               Gilchrist op cit.

Sources used:

Austen, Jane, Sense and Sensibility (1811, London)

Burney, Fanny, Cecilia or Memoirs of an Heiress (1782)

Crampton, Philip Cecil, Speech of P C Crampton, Esq, at a public meeting of the Association for the Suppression of Duelling held in Dublin on Thursday June 10th 1830

Edgeworth, Maria, Belinda, this edition (1848)(1850)(1896)

Gilchrist, James P, A brief display of the origin and history of ordeals (1821)

Hamilton, Joseph, The Duelling Handbook (1829)

Hopton, Richard, Pistols at Dawn (2007)

Steinmetz, Andrew, The Romance of Duelling in All Times and Countries (1868)

Trusler, Rev Dr John, and Chesterfield, Lord, Principles of Politeness and of knowing the world (1798)

 Pictures from the Wellcome Collection are used under Creative Commons Licence (CC BY 4.0)

 

Friday, 15 November 2019

Edward Smith Stanley, 12th Earl of Derby, after whom the Epsom Derby is named

Edward Smith Stanley, 12th Earl of Derby, by George Keating  published by William Austin, after Thomas Gainsborough  mezzotint, published 20 May 1785  © NPG D35034
Edward Smith Stanley, 12th Earl of Derby, by George Keating
published by William Austin, after Thomas Gainsborough
mezzotint, published 20 May 1785
© NPG D35034
Profile

Edward Smith Stanley, 12th Earl of Derby (12 September 1752 – 21 October 1834) is best remembered for his passion for sport. Two of the British classic horse races still commemorate that passion – the Epsom Derby, named after him, and the Epsom Oaks, named after his hunting lodge, The Oaks, where both races were conceived.

You can read about The Oaks here.

Early years

Edward Smith Stanley was born in Preston, Lancashire, on 12 September 1752, the eldest son of James Stanley, Lord Strange, (1716-71) and Lucy Smith, the co-heir of Hugh Smith of Weald Hall, Essex , and the grandson of Edward Stanley, 11th Earl of Derby (1689-1776). Lord Strange added the name Smith to his own in 1749 by Act of Parliament. 

Edward was educated at Preston Grammar School and then Eton College before going up to Trinity College, Cambridge, in 1771, where he was awarded a degree of Master of Arts in 1773. 

Becoming Lord Stanley

Confusingly, on the death of his father on 1 June 1771, Edward assumed the title of Lord Stanley and not Lord Strange. The Gentleman’s Magazine for 1834 explained that he assumed the title of Lord Stanley
… it having been ascertained, after the title of Strange had been first adopted for his father, that that barony was really vested in the Duke of Atholl, the heir-general of James 7th Earl of Derby, and not in the junior male line of Stanley, to which the Earldom had devolved.1
Edward became the 12th Earl of Derby on the death of his grandfather on 22 February 1776.

An illustrious but disastrous marriage

Elizabeth Stanley (née Hamilton), Countess of Derby  by George Romney (1776-8)  DP162156 from Metropolitan Museum of Art
Elizabeth Stanley (née Hamilton), Countess of Derby
by George Romney (1776-8)
DP162156 from Metropolitan Museum of Art
On 23 June 1774 , Edward married Lady Elizabeth ‘Betty’ Hamilton, only daughter of James Hamilton, 6th Duke of Hamilton, and sister to the current Duke - Douglas Hamilton, the 8th Duke of Hamilton. 

To celebrate the occasion, a superb outdoor entertainment – known as a fête champêtre - was held at his country residence, The Oaks, on 9 June. An elaborate temporary pavilion designed by Robert Adam was built in the grounds for the celebration. 

You can read more about the fête champêtre in my post on The Oaks. 

Edward and Betty had three children: Edward, 13th Earl of Derby (1775), Charlotte (1776) and Elizabeth Henrietta (1778). 

The marriage was not a happy one and in the late 1770s, Betty embarked upon a scandalous affair with John Frederick Sackville, 3rd Duke of Dorset. After the birth of her daughter Elizabeth, who may have been fathered by the Duke, Betty left her husband and children for her lover. The Earl, however, refused to divorce his wife.

Edward Smith Stanley, 12th Earl of Derby, with his wife,  Lady Elizabeth Hamilton, and their son Edward  by Angelica Kauffmann (c1776)  Public domain image from Metropolitan Museum of Art
Edward Smith Stanley, 12th Earl of Derby, with his wife,
Lady Elizabeth Hamilton, and their son Edward
by Angelica Kauffmann (c1776)
DP169403 from Metropolitan Museum of Art
In time, the philandering Duke’s interest waned, and the disgraced Countess was left socially ostracised for the rest of her life. She died on 14 March 1797.

A happy second marriage

'Derby & Joan or the platonic lovers, a farce' (Elizabeth, Countess of Derby;  Edward Smith Stanley, 12th Earl of Derby) by and published by Robert Dighton  hand-coloured etching, published 6 November 1795  7 7/8 in. x 8 7/8 in. (199 mm x 226 mm) paper size  Purchased with help from the Friends of the National Libraries   and the Pilgrim Trust, 1966 Reference Collection © NPG D9306
'Derby & Joan or the platonic lovers, a farce' (Elizabeth, Countess of Derby;
Edward Smith Stanley, 12th Earl of Derby) by and published by Robert Dighton
hand-coloured etching, published 6 November 1795
7 7/8 in. x 8 7/8 in. (199 mm x 226 mm) paper size
Purchased with help from the Friends of the National Libraries
 and the Pilgrim Trust, 1966 Reference Collection © NPG D9306
After his wife’s desertion, Edward fell in love with the celebrated actress, Elizabeth Farren. Elizabeth was closely guarded by her mother and it is generally believed that their relationship was not intimate until after their marriage on 1 May 1797, less than 2 months after the death of Edward’s first wife. This is supported by the fact that after their marriage, Elizabeth became pregnant almost immediately. Sadly, that child was stillborn, but she went on to have three others: Lucy (1799-1809), James (1800-1817) and Mary (1801-1858).

Elizabeth Farren, later Countess of Derby  by Sir Thomas Lawrence (1790)  from Metropolitan Museum of Art
Elizabeth Farren, later Countess of Derby
by Sir Thomas Lawrence (1790)
from Metropolitan Museum of Art
Politics

Edward was MP for Lancashire from 1774 until he was elevated to the House of Lords in 1776 on inheriting the earldom.

Influenced by his uncle, John Burgoyne, and his close friend Charles James Fox, he switched political allegiance to the Whig opposition in 1778. He had two brief periods of office as Chancellor of the Duchy of Lancaster in 1783 and again in 1806-7.

He was made Lord Lieutenant of Lancashire in 1776 – a role which he reportedly did well and held until his death.

Gambling and sport

Edward was an inveterate gambler who was obsessed with sport. He was ‘a devotee of cricket and hunting as well as racing and cockfighting.’2

His obituary in the Gentleman’s Magazine (1834) said:
It was, however, in the character of a sportsman that the late Earl made himself most conspicuous; and a passion for horse-racing and cock-fighting was the absorbing one of his life. He possessed the reputation of having the best breed of cocks in England. For some years past, indeed ever since Liverpool has had a race-course, he personally attended the meetings, and took the most lively interest in the matches of his horses and cocks, more especially the latter. General Yates, whose breed of cocks was also celebrated, was his invariable opponent, and they annually decided the question of their respective game by a match of a thousand guineas aside. So strong was the Earl’s addiction of his favourite sport, that cocks have been introduced into his drawing-room, armed and spurred, even during the latter days of his life.3
The Derby and the Oaks

The Oaks from London by D Hughson Volume V (1808)
The Oaks from London by D Hughson Volume V (1808)
Edward bought The Oaks, a hunting lodge in Carshalton, Surrey, from his uncle John Burgoyne and it was here, in 1779, whilst at dinner with the Duke of Richmond and Sir Charles Bunbury that the Oaks Stakes horse race was devised – a new race to be run at Epsom for three-year-old fillies. Edward’s mare Bridget was the first winner.

The following year, he and Sir Charles Bunbury conceived another race for three-year-olds to be run at Epsom. Reportedly, they tossed for the name and Edward won, so it was named for him – the Derby Stakes. Bunbury’s Diomed was the first winner; Edward’s Sir Peter Teazle won in 1787.

The Oxford Dictionary of National Biography entry on the 12th Earl of Derby stated:
His influence on the development and organisation of English horse-racing, as well as its annual social calendar, was of great and lasting significance.4
Death

In later years, Edward extended his estates in Liverpool, Bootle and Bury, and made improvements to the stables and park at his ancestral home of Knowsley Hall, in Lancashire. He died at Knowsley on 21 October 1834 and was buried at Ormskirk, next to his second wife, who had died previously, on 23 April 1829.

Knowsley Hall, Lancashire (2011) CC 2.0 Jack via Flickr
Knowsley Hall, Lancashire (2011) CC 2.0 Jack via Flickr
Notes
1. Gentleman’s Magazine (1834).
2. Crosby, Alan G, Stanley, Edward Smith, 12th Earl of Derby (1752-1834), Oxford Dictionary of National Biography (2004).
3. Gentleman’s Magazine (1834).
4. Crosby op cit.

Sources used include:
Burgoyne, John, The Maid of the Oaks: A new dramatic entertainment. As it is performed at the Theatre-Royal, in Drury-Lane (1775)
Crosby, Alan G, Stanley, Edward Smith, 12th Earl of Derby (1752-1834), Oxford Dictionary of National Biography (Oxford University Press, 2004; online edn Sept 2004, accessed 29 May 2018)
Debrett, John, The Peerage of the United Kingdom of Great Britain and Ireland (1820)
Draper, P, The House of Stanley (1864)
Gentleman’s Magazine (1834)
Hughson, David, London; being an accurate history and description of the British Metropolis and its neighbourhood Volume V (1808)
Prosser, George Frederick, Select Illustrations of the County of Surrey (1828)

Monday, 30 September 2019

Turnpikes and toll houses

Toll house, Blists Hill, Ironbridge © A Knowles (2018)
Toll house, Blists Hill Victorian Town, Ironbridge (2018)
What was a turnpike road?

A turnpike road was a toll road operated under a trust set up by an Act of Parliament. A Turnpike Act authorised a group of trustees to levy tolls on a stretch of road in order to finance its maintenance and improvement. The toll rates were set by the Act which also empowered the trustees to borrow money secured on future tolls in order to invest in road improvements. Money could be borrowed by bonds and loans secured on the toll income or by mortgaging the tolls.

The term of a turnpike trust was 21 years, but tolls were to cease earlier if the money borrowed had been repaid. Extensions were regularly granted to trusts for ongoing improvement and maintenance.

Why was it called a turnpike?

Turnpike roads got their name from the turnpikes or toll gates which barred the way until the road users had paid the required toll. The turnpikes were placed at strategic points along the road where it was difficult for travellers to evade paying, such as at bridges or where the lie of the land constricted the road. 
 
Tyburn Turnpike (1820) from Old and New London by E Walford (1878)
Tyburn Turnpike (1820)
from Old and New London by E Walford (1878)
 Why were turnpike roads needed?

The state of the roads around large conurbations like London were in a bad state of repair due to overuse. The preamble to a Turnpike Act for Surrey passed in 1718 stated that certain roads
...by reason of the many heavy loads and carriages of meal, timber, stone, hops, and other goods, and great number of stage and hackney coaches, passengers and droves of cattle daily passing through the same, are become so very ruinous and almost impassable, for the space of five months in the year, so that it is dangerous to all persons, horses, and other cattle to pass through the said roads.1
Road maintenance was the responsibility of the parishes through which the roads passed, but they did not have the resources to keep the roads in good repair.

Turnpike Acts provided the means for raising money to build and maintain better roads and allow the fast transport of people, mail and goods from place to place.

Toll house at the Weald and Downland  Living Museum © A Knowles (2014)
Toll house at the Weald and Downland
Living Museum (2014)
When was the turnpike system in operation?

The turnpike system was not a unified road network but rather a large number of individual turnpike roads, operated by different trusts, that provided better road conditions across Britain and Scotland. Generally, the trusts coordinated their improvements to provide continuous stretches of good road, but if they were offering alternative routes to the same place, they sometimes competed with each other, trying to attract traffic and therefore tolls to travel their route. 

The first Turnpike Acts were passed in the late 17th century and by the mid-1830s, about 22,000 miles of road in England and Wales – about one fifth of the road network – were managed by turnpike trusts.2 The turnpikes were wound up in the 1870s and the responsibility for road maintenance passed to the Highways Board.

Who collected the tolls?

Trusts could either appoint collectors, who would have to sign an oath to confirm they had handed all the tolls over, or they could let the tolls. 

An advert in The Times for April 1810 stated the date and place when the trustees of the New Cross Turnpike Roads intended to auction the tolls, giving the sum collected in a previous period as guide price to bidders.3

Toll house, Athelhampton House © A Knowles (2015)
Toll house, Athelhampton House (2015)
Toll houses

Toll houses were built next to the turnpikes as someone needed to be collecting the tolls 24 hours a day. These represented a significant investment from the trusts. The standard toll house design adopted in the 1820s was of a small, single-story cottage with a polygonal bay front. 

Some toll houses on major roads were built on a rather grander design, with castellated rooves, designed to impress rich travellers and tempt them to use their route over an alternative.

Turnpikes were generally placed outside the town so that local businesses did not have to pay the toll. However, the remoteness of their locations meant that the toll houses were vulnerable to theft and as a precaution, they tended to be fitted with bars and a safe.

Many toll houses were demolished when the turnpike trusts were abolished particularly if their position restricted the width of the road. Others were sold into private ownership. 

Spaniards gate toll house, Hampstead © R Knowles (2019)
Spaniards Gate toll house, Hampstead (2019)
Plaque on side of Spaniards Gate toll house,  Hampstead © R Knowles (2019)
Plaque on side of Spaniards Gate toll house,
Hampstead (2019)
How much were the tolls?

The toll rates for each turnpike were set according to the Turnpike Act that established it and differed according to the type of user.

The Mail did not have to pay tolls. An outrider blew a horn as the coach approached so that the toll keeper could get the gate open ready without the Mail having to slow down.

Table of tolls from Weald and Downland  Living Museum © A Knowles (2014)
Table of tolls from Weald and Downland
Living Museum (2014)
The Surrey Turnpike Act of 1718 set the rates as follows:
For every horse, mule, or ass, laden or unladen, and for every chaise, cart, dray, or other carriage drawn by one horse, one penny
For every coach, chariot, or calash drawn by two or more horses, sixpence
For every waggon not laden with hay or straw, sixpence
For every waggon laden with hay or straw, threepence
For every cart, dray, or carriage laden with hay, straw, or other goods, twopence
For every drove of oxen or neat cattle, twopence per score
For every drove of calves, hogs, sheep, or lambs one penny per score
A ticket for the toll road lasted all day.
Soldiers, all persons riding post, and all carts and waggons travelling with vagrants, were permitted to pass free of toll.4
The Sussex Turnpike Act of 1749 set the rates as follows:
For every coach, berlin, landau, chariot, chaise, calash, chair, caravan, or hearse, drawn by six horses or mules, the sum of one shilling
If drawn by four horses, &c., ninepence
If drawn by two horses, &c., sixpence
If drawn by one horse, threepence
For every waggon, wain, cart, or carriage drawn by six horses or oxen, one shilling and sixpence
If drawn by four horses or oxen, ninepence
If drawn by two horses or oxen, sixpence
If by one horse, threepence
For every waggon or cart, laden only with hay or straw, threepence
For every horse, mule, or ass, laden or unladen, and not drawing, one penny
For every drove of oxen, tenpence per score
For every drove of calves, sheep, &c., fivepence per score.
The Act specifically prohibited the repair of pavements in the streets of any town.
Those travelling to county elections were exempt.5
Milestones

Most turnpike trusts put up milestones, marking the distance to significant places.

Milestone in Blandford, Dorset © A Knowles (2016)
Milestone in Blandford, Dorset (2016)

Headshot of Rachel Knowles author with sea in background(2021)
Rachel Knowles writes clean/Christian Regency era romance and historical non-fiction. She has been sharing her research on this blog since 2011. Rachel lives in the beautiful Georgian seaside town of Weymouth, Dorset, on the south coast of England, with her husband, Andrew.

Find out more about Rachel's books and sign up for her newsletter here.

If you have enjoyed this blog and want to encourage me and help me to keep making my research freely available, please buy me a virtual cup of coffee by clicking the button below.

 
Notes
1. Parliamentary papers, House of Commons vol 44 (1852)(Turnpike Roads)
3. The Times online archive, April 1810.
4. Parliamentary papers op cit.
5. Ibid.

Sources used include:
Parliamentary papers, House of Commons vol 44 (1852)(Turnpike Roads)

All photographs © RegencyHistory.net