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Thursday, 11 September 2014

Haddon Hall - a Regency History guide

Haddon Hall
Haddon Hall
Where is it?

Haddon Hall is in Bakewell, Derbyshire.

History

Haddon Hall
Haddon Hall overlooking the River Wye
Haddon Hall was acquired by the Vernon family through a marriage settlement in 1180 and passed to the last Vernon owner’s son-in-law, Sir John Manners, in 1565. Most of the existing house was built during this long period of ownership by the Vernon family.

Sir John Manner’s grandson, another John Manners (1604-1679), became 8th Earl of Rutland and inherited Belvoir Castle on the death of his cousin in 1642. His son, yet another John (1638-1711), was made 1st Duke of Rutland and Marquess of Granby in 1703 and he abandoned Haddon Hall for Belvoir Castle.

Belvoir Castle from The History of Belvoir Castle by Rev I Eller (1841)
Belvoir Castle from The History of Belvoir Castle
 by Rev I Eller (1841)
The Hall was restored by the 9th Duke and Duchess of Rutland in the early 20th century and is now home to their grandson, Lord Edward Manners.

Georgian connection

During the Georgian period, Haddon Hall was owned by successive Dukes of Rutland:
  • John Manners, 2nd Duke of Rutland (1676-1721).
  • John Manners, 3rd Duke of Rutland (1696-1779) - one of the founding governors of the Foundling Hospital.1 He married the heiress Bridget Sutton. Two of his sons, Lord Robert (1722-1762) and Lord George (1723-1783) adopted the name Manners-Sutton on inheriting from their maternal grandfather.
  • Charles Manners, 4th Duke of Rutland (1754-1787) - married Lady Mary Isabella Somerset (1756-1831), a renowned beauty and political hostess.
  • John Henry Manners, 5th Duke of Rutland (1778-1857) - bred racehorses.
Entrance to Haddon Hall
Entrance to Haddon Hall
Georgian sightseeing

Although the Dukes lived at Belvoir Castle in Leicestershire and Haddon Hall was left uninhabited, people still visited the Hall.

Horace Walpole visited Haddon Hall in 1760. In a letter to George Montagu dated 1 September 1760, he wrote:
I saw Haddon, an abandoned old castle of the Rutlands, in a romantic situation, but which never could have composed a tolerable dwelling.2


Haddon Hall from Adam's guidebook (1852)
Haddon Hall from Adam's guidebook (1852)
A description of various places, including Haddon Hall, was published by Adam in 1852:
...at a low price, to suit the general visitor”. The guide described Haddon as: “A most romantic Old Hall of the Elizabethan period, once the residence of Sir George Vernon, the ‘King of the Peak’, uninhabited, but still kept in complete repair – Fine old state bed – Tapestry or Arras – Pictures – Carvings in wood – Garden – Terraces, &c.3
 
Haddon Hall
Haddon Hall
Adam claimed that the Hall had “assisted the imagination of Mrs. Radcliffe in its wildest flights, when writing The Mysteries of Udolpho".

During the middle of the 19th century, Samuel Rayner and his family from Matlock Bath frequently painted the Hall.

View of Haddon Hall from outside The Chapel
View of Haddon Hall from outside The Chapel
Film set

Haddon Hall is a popular film set. It has repeatedly been used as the location for Thornfield Hall in film and TV productions of Charlotte Brontë’s Jane Eyre. Although it is unlikely that Charlotte ever visited, the fact that it existed in an eerie and interesting state during her lifetime makes it at least possible that she could have based Thornfield on Haddon Hall.

Haddon Hall was also used as Prince Humperdinck’s castle in The Princess Bride (1987)- one of my favourite films. Other film and TV credits include the BBC's dramatisation of CS Lewis' The Silver Chair (1990) and the Keira Knightley film of Pride and Prejudice (2005).

What can you see today?

• The Long Gallery

The Long Galllery, Haddon Hall
The Long Galllery, Haddon Hall
• The Banqueting Hall

The Banqueting Hall, Haddon Hall
The Banqueting Hall, Haddon Hall
The Banqueting Hall, Haddon Hall
The Banqueting Hall, Haddon Hall
 • The Chapel

The Chapel, Haddon Hall
The Chapel, Haddon Hall
 • The gardens

Haddon Hall from the gardens
Haddon Hall from the gardens
Haddon Hall from the gardens
Haddon Hall from the gardens
Last visited: August 2014

Notes
1. Royal Charter establishing an hospital for the maintenance and education of exposed and deserted young children (1739).
2. Walpole, Horace, Letters of Horace Walpole, selected and edited by Charles Duke Yonge Vol I 1736-1764 (1890.)
3. Adam, W, Description of Buxton, Chatsworth, Bakewell, Haddon Hall, and Castleton: with a tabular view of the principal drives and objects of interest throughout the county: abridged from Adam's Gem of the Peak (1852).
 
Sources used include:
Adam, W, Description of Buxton, Chatsworth, Bakewell, Haddon Hall, and Castleton: with a tabular view of the principal drives and objects of interest throughout the county: abridged from Adam's Gem of the Peak (1852)
Cleary, Bryan, Haddon Hall (2014)
Eller, Irvin, The History of Belvoir Castle, from the Norman conquest to the nineteenth century (1841)
Royal Charter establishing an hospital for the maintenance and education of exposed and deserted young children (1739)
Walpole, Horace, Letters of Horace Walpole, selected and edited by Charles Duke Yonge Vol I 1736-1764 (1890) 

All photographs © RegencyHistory.net

Tuesday, 2 September 2014

Short videos filmed at Georgian locations

Here's a list of some short videos on a Georgian theme.

Instagram (between 6 and 15 seconds long)

The room in Cotehele, Cornwall, where George III and Queen Charlotte took breakfast in 1789. Did they sit on the embroidered cushions?

(Rachel says: Sadly, no. The royals sat on separate chairs which  later had to be removed as they were getting damaged from too many people sitting on them!) Click to view the video.

Read about Cotehele here.

The Old Drawing Room, Cotehele
The Old Drawing Room, Cotehele
A bedroom in Saltram House, Devon, decorated in eighteenth century Chinese wallpaper. Click to view the video.

Vine (a fleeting six seconds long)

Saltram House, Devon 

Saltram
Saltram House
The frontage of Saltram House

Chinese wallpaper

The dining room

Read about Saltram here.

Osterley Park

Osterley Park
Osterley Park
The main staircase

Robert Adam's Etruscan room 

Read about Osterley Park here.

Coleridge Cottage

Inside Coleridge's Cottage

Mount Edgcumbe

In the gardens of Mount Edgcumbe

Read about Mount Edgcumbe here.

All photos and videos © Andrew Knowles

Monday, 1 September 2014

My Regency dress - made to measure

A Regency promenade

I am very excited to be joining the Jane Austen Festival Grand Regency Costumed Promenade in Bath for the first time this year. We are attempting to break the world record for the most people in Regency costume at one time.

Ticket for the Jane Austen Festival Grand Regency Costumed Promenade
My ticket to promenade
The rules require ladies to wear “full-length dresses with a high waistline, low cut necks and bonnet” with “the necessary accessories to complete the costume, e.g. hat or bonnet, reticule, gloves, Spencer jacket or pelisse or shawl”.

Creating a Regency costume

Acquiring a Regency outfit is not a simple process. You can’t just walk into a clothes shop and buy one off the shelf. So a few months ago, I tweeted asking for advice and several lovely people responded, offering suggestions of who might be able to help. As a result, I was put in contact with Natalie Garbett, who is not only a wonderfully talented historical costumer, but is actually based in my home town of Weymouth.

Rachel having a fitting of her Regency dress
Natalie pinning up the hem of my
Regency dress at my first fitting
So many choices

But finding a dressmaker was only part of the solution. I had to choose a design. Did I want a day dress or an evening dress? Silk or cotton? Long sleeves or short sleeves? From the beginning, middle or end of the Regency period? What colour, style, fastenings, undergarments, accessories…? The choices were somewhat overwhelming, especially as this was a whole new world to me.

Evening dress  from Ackermann's Repository (Dec 1813)
Evening dress
from Ackermann's Repository (Dec 1813)
I went to Regency fashion prints for inspiration. It is always surprising to look through pages of prints and realise that not all of them are in the traditional Regency style, with the high waistline we associate with the Jane Austen era, but I knew this was the shape I needed. I found some prints from 1813 and 1814 showing the sort of style I had in mind.

Walking dress  from Ackermann's Repository  (June 1814)
Walking dress
from Ackermann's Repository
(June 1814)
Natalie was very helpful in refining my ideas. Our aim was to create an outfit which not only looked Regency, but was made of the right sort of fabric and colour for the period. I decided a neutral colour would be the most versatile and so, after much discussion, we decided on cream cotton for the dress with a more brightly-coloured silk Spencer to wear over it. The basic design we chose is similar to the red dress above, with a square neckline and puffed sleeves, but Natalie has cleverly added detachable long sleeves.

We initially looked for a dotted cotton fabric with a bit of texture, but when we failed to find one, we opted for some ivory-coloured vintage floral cotton poplin which I found on the Minerva crafts website.

Getting the dress sleeves right at my first fitting
Getting the dress sleeves right at my first fitting
It is a wonderful feeling to have a dress made to fit you. I think I could get a taste for it! I am looking forward to being fitted for the Spencer this week.

Read about my Spencer in my summer newsletter here.

Is anyone else parading or coming to watch?

All photographs © RegencyHistory.net