Search this blog

Friday, 20 February 2015

Windsor Castle - a Regency History guide

Round Tower, Windsor Castle
Round Tower, Windsor Castle (2015)
Where is it?

Windsor Castle is in Windsor in Berkshire. It is one of the Queen’s official residences.

Early history

Windsor Castle dates from the time of William the Conqueror who built a defensive motte and bailey castle on the site around 1080. Henry I started to use it as a royal residence from around 1100, attracted by the royal hunting forest in what is now Windsor Great Park and the castle’s close proximity to London.

Windsor Castle
Windsor Castle (2015)
The Order of the Garter established

Over the years, successive monarchs modified and expanded the castle. Henry II largely rebuilt the castle in stone in the 1170s. Edward III added the Norman Gate and transformed the castle into a Gothic palace. He established the Order of the Garter in 1348 and built St George’s Hall. In 1475, Edward IV started the building of St George’s Chapel and Henry VIII added the gate that carries his name in 1511.

King Henry VIII's Gate, Windsor Castle
King Henry VIII's Gate, Windsor Castle (2015)
Charles II’s Baroque palace

During the Civil War (1642-9), the castle was used as a prison by the Parliamentarians and stripped of many of its treasures. After the Restoration, Charles II revived the castle’s splendour in the Baroque style using the skills of a master woodcarver, Grinling Gibbons, to embellish his oak-panelled rooms and the Italian artist Antonio Verrio to paint the ceilings. He also established The Long Walk in the Great Park.

George III’s Gothic castle

The early Hanoverian monarchs had a preference for Hampton Court, but George III disliked it and chose to reside at Windsor Castle instead. He took over a house in the Great Park and remodelled it with the help of Sir William Chambers. This became known as the Upper or Queen’s Lodge and the King lived very informally here.

In 1790, George III took over the management of Windsor Great Park, laying out two large farms and purchasing the lease of Frogmore House for Queen Charlotte. With the help of James Wyatt, George III started to upgrade the main castle buildings. The existing round arched windows were changed into pointed Gothic ones. Oak panelling was removed and replaced with fabric to lighten the rooms and a new Gothic staircase was built.

Windsor Castle
Windsor Castle (2015)
Wyatville’s work for George IV

During the Regency, George IV built and lived at the Royal Lodge in Windsor Great Park, but when he became king, he wanted to move into the castle. However, he found the existing accommodations inadequate and planned an extensive redevelopment of the castle with the help of his artistic advisor, Sir Charles Long. He transformed Windsor Castle at the cost of almost one million pounds, employing Jeffry Wyatt, nephew of his father’s architect, to carry out the work. Jeffry Wyatt was knighted for his endeavours and changed his name to Wyatville.

Lower Ward, Windsor Castle
Lower Ward, Windsor Castle (2015)
Wyatville built new towers and a range of new State Apartments for the King on the east and south sides of the castle, adding the Grand Corridor along two sides of the Quadrangle to make moving about the castle easier.

He increased the height of the Round Tower and created a new entrance, the George IV gateway, and gave it a clear view to the Long Walk in the Great Park. He made the outside of the castle uniformly Gothic in appearance and added battlements creating Windsor’s iconic skyline.

The skyline of Windsor Castle
The skyline of Windsor Castle (2015)
In 1829, Wyatville fashioned a new St George’s Hall from the existing one and the adjacent chapel, destroying Verrio’s murals in the process.

Glittering decorations and recycling

George IV liked to mix up his styles. Some of his rooms were very Gothic, such as the State Dining Room, whereas others were more classical, influenced by his Francophile taste, such as the Crimson Drawing Room. A surprising number of items were brought from Carlton House and reused in the castle including a number of chimney pieces and doors. The new State Apartments were fitted out by the firm of Morel & Sedon who employed the young AWN Pugin, among others, to design the Gothic furniture and fittings.

George IV moved into the castle in 1828, just two years before his death, and with the work unfinished.

The Waterloo Chamber

William IV completed the building works, including the Waterloo Chamber, which was part of George IV’s original plan for the redevelopment of Windsor. It was a room specifically designed to house Sir Thomas Lawrence’s portraits of the Allied monarchs, commanders and statesmen commissioned by George IV. Unfortunately, William lacked George’s artistic eye and the work was not always completed as precisely as George had intended.

Waterloo Chamber, Windsor Castle,  from Windsor Castle and its environs by L Ritchie (1848)
Waterloo Chamber, Windsor Castle,
from Windsor Castle and its environs by L Ritchie (1848)
Windsor after the Georgians

Much of Windsor today is as it was at the end of William IV’s reign. A few alterations have been made, such as Queen Victoria rebuilding the Grand Staircase, but the most significant changes have been the result of a devastating fire in 1992. This damaged a major part of the castle including George IV’s State Apartments and destroyed the ceiling of St George’s Hall. Thankfully, the rooms were largely empty at the time as the castle was in the process of being rewired. Windsor Castle has now been restored to its former glory.

What can you see today?

As this is an active royal residence, the castle may be closed on certain days. Check on the website here. The State Apartments are open most of the year but the Semi-State Rooms (The Green Drawing Room, the Crimson Drawing Room, the State Dining Room, the Octagon Dining Room and the corridors that connect them to the State Apartments) are only open September to March. St George’s Chapel is closed on Sundays except for services.

No photography is allowed inside the buildings and so I have used old prints of the rooms to illustrate but please note that the Pyne prints illustrate the rooms in George III's time before his son's alterations.

Highlights from outside Windsor Castle

The Round Tower
Round Tower, Windsor Castle
Round Tower, Windsor Castle (2015)
 • King Henry VIII’s Gate (pictured above)

The Norman Gate

The Norman Gate leading to the Upper Ward, Windsor Castle
The Norman Gate leading to the Upper Ward, Windsor Castle (2015)
Highlights from inside Windsor Castle

Queen Mary’s dolls’ house. Given to Queen Mary in 1924, it is made on a scale of one to twelve and housed in a separate room to the left of the entrance to the State Apartments.

The Drawings Gallery. This is situated at the top of the stairs leading into the State Apartments. In 2015, there was a selection of prints and drawings from the Royal Collection on display for the Waterloo at Windsor exhibition.

• The magnificent larger than life-size marble statue of George IV on the Grand Staircase by Sir Francis Chantrey.

The China Museum. Displays include the Etruscan service made in Naples 1785-7 and given to George III by the King of Naples in 1787.

• Queen Charlotte’s sedan chairs in the Grand Vestibule. There are two chairs which were both made for Queen Charlotte. Each has a crown on the roof, but one is highly decorated and the other is quite plain except for the base which is decorated by a lion on one side and a unicorn on the other. On the wall next to the ornate chair are the poles that were used to carry it. Both chairs are quite small – I imagine they must have been quite claustrophobic!

The Waterloo Chamber. The majority of the portraits were painted by Sir Thomas Lawrence, commissioned by George IV. They include the Duke of Wellington; Pope Pius VII; George III; George IV; Frederick, Duke of York; and Adolphus, Duke of Cambridge.

King’s Drawing Room. Part of Charles II’s Baroque palace. George IV’s body lay in state in this room after his death in 1830. Read about his funeral here.

King's Drawing Room, Windsor Castle  from The History of the Royal Residences by WH Pyne (1819)
King's Drawing Room, Windsor Castle
from The History of the Royal Residences by WH Pyne (1819)
King’s Bedchamber. Another of the Charles II rooms, displaying a bed purchased by George IV. The fireplace was designed by Sir William Chambers and was originally at Buckingham House.

King's Old State Bedchamber, Windsor Castle  from The History of the Royal Residences by WH Pyne (1819)
King's Old State Bedchamber, Windsor Castle
from The History of the Royal Residences by WH Pyne (1819)
King’s Dining Room. This room still has its ceiling by Verrio and wood carvings by Grinling Gibbons. It is rather dark as all the windows are internal.

Queen’s Ballroom. Full of Van Dyck paintings.

Ballroom, Windsor Castle  from The History of the Royal Residences by WH Pyne (1819)
Ballroom, Windsor Castle
from The History of the Royal Residences by WH Pyne (1819)
Queen’s Presence Chamber. The ceiling is by Verrio and depicts Catherine of Braganza and the Sword of Justice defeating Envy and Sedition. The marble chimneypiece includes a clock with marble figures on either side which was carved by John Bacon in 1789 for Queen Charlotte’s Saloon at Buckingham House. The Gobelins tapestries were acquired by George IV.

Queen's Presence Chamber, Windsor Castle  from The History of the Royal Residences by WH Pyne (1819)
Queen's Presence Chamber, Windsor Castle
from The History of the Royal Residences by WH Pyne (1819)
Queen’s Guard Chamber. This room was remodelled in the Gothic style for George IV. On display are the rent flags of the Dukes of Wellington and Marlborough, hanging over marble busts of the two men. These rent flags must be presented annually to the crown in lieu of rent for their estates. The Duke of Wellington has to present a Republican tricolour for his estate of Stratfield Saye on 18 June, the anniversary of the Battle of Waterloo; the Duke of Marlborough presents a Bourbon fleurs-de-lys for Blenheim Palace on 2 August, the anniversary of the Battle of Blenheim.

Queen's Guard Chamber, Windsor Castle  from The History of the Royal Residences by WH Pyne (1819)
Queen's Guard Chamber, Windsor Castle,
from The History of the Royal Residences by WH Pyne (1819)
Crimson Drawing Room. This room has bay windows and looks out over the gardens and has been beautifully restored in crimson and gold after the 1992 fire to the splendour of George IV’s original design. There are portraits of all six of George III’s daughters by Sir William Beechey on display.

State Dining Room. George IV’s Gothic dining room was restored after the fire to the design of Morel & Seddons. On display is a painting by George Knapton of The Family of Frederick Prince of Wales (1751) and furniture designed by AC Pugin and his 15 year old son, AWN Pugin who became a very famous architect and designer.

Garter Throne Room. The elaborate canopy above the throne was originally made for George III’s Audience Chamber.

St George’s Hall. The Romantic Gothic design is said to have been inspired by Sir Walter Scott. It was built by Wyatville for George IV but has a completely new ceiling to replace the one damaged by the fire. There are shields all over the walls and ceiling representing the knights of the Order of the Garter. There are a number of Georgian busts on display including Frederick, Duke of York, by Joseph Nollekens (1813) and George IV by Sir Francis Chantrey (1826).

St George's Hall, Windsor Castle  from The History of the Royal Residences by WH Pyne (1819)
St George's Hall, Windsor Castle
from The History of the Royal Residences by WH Pyne (1819)
St George's Hall, Windsor Castle,  from Windsor Castle and its environs by L Ritchie (1848)
St George's Hall, Windsor Castle,
from Windsor Castle and its environs by L Ritchie (1848)
Lantern Lobby. A new room to replace the chapel destroyed by the fire. On display are many silver-gilt vessels acquired by George IV and Henry VIII’s armour.

St George’s Chapel. Perpendicular Gothic architecture with a monument to Princess Charlotte inside.

St George's Chapel, Lower Ward, Windsor Castle
St George's Chapel, Lower Ward, Windsor Castle (2015)
St George's Chapel, Windsor Castle  from The History of the Royal Residences by WH Pyne (1819)
St George's Chapel, Windsor Castle
from The History of the Royal Residences by WH Pyne (1819)
Last visited: February 2015
Read more about St George's Chapel in my Regency History guide here.
Plan your visit here.

Headshot of Rachel Knowles author with sea in background(2021)
Rachel Knowles writes clean/Christian Regency era romance and historical non-fiction. She has been sharing her research on this blog since 2011. Rachel lives in the beautiful Georgian seaside town of Weymouth, Dorset, on the south coast of England, with her husband, Andrew.

Find out more about Rachel's books and sign up for her newsletter here.

If you have enjoyed this blog and want to encourage me and help me to keep making my research freely available, please buy me a virtual cup of coffee by clicking the button below.

 
Sources used include:
Pyne, WH, The history of the Royal Residences of Windsor Castle, St James's Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House and Frogmore (1819)
Ritchie, Leitch Esq, Windsor Castle and its environs, 2nd edition with additions by Edward Jesse (1848)
Robinson, John Martin, Windsor Castle, the official guidebook (2004, Royal Collection Enterprises Ltd)
Robinson, John Martin, Windsor Castle, the official illustrated history (2013, Royal Collection Trust)
The visitants' guide to Windsor castle and its vicinity (1828)

All photographs © RegencyHistory.net

Thursday, 5 February 2015

Waterloo at Windsor 1815-2015 exhibition

Windsor Castle
Windsor Castle (2015)
The Waterloo at Windsor 1815-2015 exhibition celebrated the 200th anniversary of the Battle of Waterloo which took place on 18 June 1815. This battle marked the defeat of Napoleon and ushered in an era of peace between Britain and France.

The main part of the exhibition is in the Drawings Gallery with other items spread throughout the State Apartments. There is a souvenir map and guide to the exhibition which is included free with the Windsor Castle guidebook or it can be bought separately for £2. The exhibition closed on 6 January 2016.

Read about the history of Windsor Castle in my Regency History guide.

Napoleon Bonaparte, after Nanine Vallain (1802)  Royal Collection Trust   © Her Majesty Queen Elizabeth II 2014
Napoleon Bonaparte, after Nanine Vallain (1802)
Royal Collection Trust
© Her Majesty Queen Elizabeth II 2014
The Drawings Gallery

The Drawings Gallery is at the top of the stairs leading to the State Apartments. Don’t miss it! First time round, we walked straight past it into the State Apartments on the right and had to go back to find out where it was.

Entrance to State Apartments,  Windsor Castle
Entrance to State Apartments,
Windsor Castle
The Drawings Gallery contains a display of pictures and prints about Waterloo from the Royal Collection, most of which were collected by George IV who was fanatical about the Battle of Waterloo. These include contemporary satirical prints and drawings of the battlefield as well as pictures of the military leaders from both sides.

Distant View of La Belle Alliance, Field of Waterloo (1815)  by Denis Dighton  Royal Collection Trust © Her Majesty Queen Elizabeth II 2014
Distant View of La Belle Alliance, Field of Waterloo (1815)
by Denis Dighton
Royal Collection Trust © Her Majesty Queen Elizabeth II 2014

Napoleon's letter of surrender sent to   George, Prince Regent, 13 July 1815  Royal Archives  © Her Majesty Queen Elizabeth II 2014
Napoleon's letter of surrender sent to
George, Prince Regent, 13 July 1815
Royal Archives © Her Majesty Queen Elizabeth II 2014
Napoleon Bonaparte,   published by Rudolph Ackermann (1816)  Royal Collection Trust   © Her Majesty Queen Elizabeth II 2014
Napoleon Bonaparte,
published by Rudolph Ackermann (1816)
Royal Collection Trust
© Her Majesty Queen Elizabeth II 2014
Napoleon’s carriage on display at Bullock’s Museum – a print

I was especially interested in a Rowlandson print of Bullock’s Museum from 1816. After the Battle of Waterloo, Napoleon’s carriage was captured by the allied army. The British government sold the carriage to William Bullock who put it on display in his museum in London in 1816. The print depicts a huge crowd of people climbing all over Napoleon’s carriage which proved to be a very popular exhibit. What I cannot figure out is why he was allowed to buy the carriage in the first place. Given George IV’s obsession with Waterloo, I thought he would have bought it for his collection. I guess that he could not afford it!

Exhibition at Bullocks Museum of Bonepartes Carriage taken at
Waterloo by Thomas Rowlandson, published by Ackermann (1816)
 © The Trustees of the British Museum1
The Waterloo Elm

The other picture I particularly liked was a drawing by Anna Children – The Waterloo Elm (1818). This depicts the tree under which the Duke of Wellington sat on the battlefield of Waterloo. After the battle, it became a popular haunt of tourists who took bits of tree home with them as souvenirs. The owner of the land grew tired of having his crops ruined and decided to cut the tree down. Fortunately, Anna was able to draw the tree before it was felled and her father bought the wood from the owner.

The Waterloo Elm by Anna Children (1818)  Royal Collection Trust   © Her Majesty Queen Elizabeth II 2015
The Waterloo Elm by Anna Children (1818)
Royal Collection Trust
© Her Majesty Queen Elizabeth II 2015
The Waterloo Chair

One of the pieces of furniture made from wood from the elm tree was The Waterloo Chair. It was carved by Thomas Chippendale the Younger and presented to George IV in 1821. It is on display in King’s Drawing Room.

The Waterloo Chair   made by Thomas Chippendale the Younger  Royal Collection Trust  © Her Majesty Queen Elizabeth II 2015
The Waterloo Chair
made by Thomas Chippendale the Younger
Royal Collection Trust
© Her Majesty Queen Elizabeth II 2015
The Table of the Great Commanders

Next to The Waterloo Chair, is the Table of the Great Commanders. This exquisite table was made for Napoleon and given to George IV while he was Regent by the restored King of France, Louis XVIII. George liked it so much that he had it painted in the background of all his state portraits. I saw it last year at Buckingham Palace where it is usually on show.

Tables des Grands Capitaines from the Sevres   porcelain factory gifted to George, Prince Regent,   by Louis XVIII of France (1806-12)  Royal Collection Trust  © Her Majesty Queen Elizabeth II 2014
Tables des Grands Capitaines from the Sèvres
 porcelain factory - given to George, Prince Regent,
 by Louis XVIII of France (1806-12)
Royal Collection Trust
© Her Majesty Queen Elizabeth II 2014
Napoleon’s cloak

There are a number of Napoleon Bonaparte’s belongings on display which were retrieved from his carriage and baggage train after they were captured. One of the most impressive of these is Napoleon’s cloak – a stunning, full-length, hooded red felt cloak lined with yellow silk – which is on display in the Grand Vestibule. If you stand next to the display, you can get a feel for how tall Napoleon really was. The audio guide says he was about 5 foot 6 inches which was average for the time.

Cloak belonging to Napoleon Bonapartetaken from the Emperor's   fleeing baggage train and presented to George, Prince Regent,  by Field-Marshal Blucher (1797-1805)  Royal Collection Trust © Her Majesty Queen Elizabeth II 2014
Cloak belonging to Napoleon Bonaparte taken from the Emperor's
fleeing baggage train and presented to George, Prince Regent,
by Field-Marshal Blucher (1797-1805)
Royal Collection Trust © Her Majesty Queen Elizabeth II 2014
Across the room from Napoleon’s cloak is his old adversary, the Duke of Wellington, represented by a marble bust.

More items from Napoleon’s baggage train are on display in the Queen’s Guard Chamber, including his travelling desk set, an engraved silver-gilt tea service and a sword.

Silver-gilt teapot made by Martin Guillaume Biennais,  engraved with Napoleon's coat of arms  acquired by Queen Mary - Royal Collection Trust  © Her Majesty Queen Elizabeth II 2015
Silver-gilt teapot made by Martin Guillaume Biennais,
engraved with Napoleon's coat of arms
acquired by Queen Mary - Royal Collection Trust
© Her Majesty Queen Elizabeth II 2015
In honour of the Duke of Wellington

In the Queen’s Guard Chamber there is a copper cast of the Duke of Wellington’s hands. There is also a second marble bust of the Duke and above this hangs what is known as a rent flag. The Duke of Wellington was awarded the estate of Stratfield Saye in 1817 in thanks for his military endeavours at Waterloo. His rent to the crown each year is the presentation of a ‘rent flag’ to the crown – a tricolour flag edged in gold braid ending in two golden tassels and with the year to which it relates embroidered or printed on. Flags from previous years can be seen hanging from the ceiling in the Drawings Gallery.

The hands of the Duke of Wellington by Baron Carlo Marochetti  Royal Collection Trust © Her Majesty Queen Elizabeth II 2015
The hands of the Duke of Wellington by Baron Carlo Marochetti
Royal Collection Trust © Her Majesty Queen Elizabeth II 2015
The Waterloo Chamber

The Waterloo Chamber holds an impressive display of portraits of the allied sovereigns, military leaders and statesmen of the time. They were largely commissioned by George IV and painted by Sir Thomas Lawrence, but the room itself was not created until the 1830s, in the reign of William IV. Although these paintings are always on display at Windsor, the Chamber has been specially opened up for the exhibition this year and it is possible to walk all around the room and get a much closer look than normal.

The Waterloo Chamber, Windsor Castle  Photo: Mark Fiennes  Royal Collection Trust © Her Majesty Queen Elizabeth II 2014
The Waterloo Chamber, Windsor Castle
Photo: Mark Fiennes
Royal Collection Trust © Her Majesty Queen Elizabeth II 2014
George IV by Sir Thomas Lawrence (1821)  Royal Collection Trust  © Her Majesty Queen Elizabeth II 2014
George IV by Sir Thomas Lawrence (1821)
Royal Collection Trust
© Her Majesty Queen Elizabeth II 2014
Arthur Wellesley, 1st Duke of Wellington,
by Sir Thomas Lawrence (1814-15)
Royal Collection Trust
© Her Majesty Queen Elizabeth II 2014
Windsor - well worth a visit

The Waterloo at Windsor exhibition is free with a standard entry ticket to Windsor Castle. For me, the highlights of the exhibition were Napoleon’s cloak and The Waterloo Chair, and being able to take a closer look at all the portraits in the Waterloo Chamber.

I would have liked to have seen a few more items of Waterloo memorabilia on display; the drawings were interesting but it is the objects that really bring the subject to life. If you have visited Windsor recently, I would hesitate to recommend going just to see the exhibition unless you are a big fan of Napoleon or Waterloo. However, Windsor Castle is well worth seeing and this is a really good time to visit as the Waterloo Chamber is so much more accessible than usual.

An added bonus if you visit before 29 March is that the Semi-State Rooms are open, giving you a peek at several rooms not open during the summer, including the Crimson Drawing Room with its superb portraits of all six of George III’s daughters.

Rachel at the Waterloo at Windsor 1815-2015 exhibition
Rachel at the Waterloo at Windsor 1815-2015 exhibition

Headshot of Rachel Knowles author with sea in background(2021)
Rachel Knowles writes clean/Christian Regency era romance and historical non-fiction. She has been sharing her research on this blog since 2011. Rachel lives in the beautiful Georgian seaside town of Weymouth, Dorset, on the south coast of England, with her husband, Andrew.

Find out more about Rachel's books and sign up for her newsletter here.

If you have enjoyed this blog and want to encourage me and help me to keep making my research freely available, please buy me a virtual cup of coffee by clicking the button below.

 
Note
(1) There was a limited number of photographs available to me from the exhibition and this particular print was not included. However, I found the same print on the British Museum website.

All photographs not otherwise credited © RegencyHistory.net

Thursday, 29 January 2015

A genuine Almack's voucher

Ladies voucher for Almack's - used with kind permission  STG Misc. Box 7 (Almack's Voucher),  © The Huntington Library, San Marino, CA
Ladies' voucher for Almack's - used with kind permission
STG Misc. Box 7 (Almack's Voucher)
© The Huntington Library, San Marino, CA

Why was an Almack’s voucher so important?

Almack’s Assembly Rooms were the most exclusive venue in Regency London. Almack’s was the place that ladies and gentlemen of quality went to see and be seen in the hopes of finding a suitable marriage partner. But why was it so exclusive? Because you were only admitted if you had a voucher and you could only get a voucher if you were approved by one of the lady patronesses.  

You can read more about Almack’s here.

What was an Almack’s voucher like?

My Regency reticule with a printed copy of the voucher for Almack's  Used with kind permission STG Misc. Box 7 (Almack's Voucher),   © The Huntington Library, San Marino, CA
My Regency reticule with a printed copy of the voucher for Almack's
Image of Almack's voucher used with kind permission
STG Misc. Box 7 (Almack's Voucher),
© The Huntington Library, San Marino, CA
Someone recently asked me whether I knew how big an Almack’s voucher would have been and I had to confess that I did not know. I decided to try and find out.

Fortunately, I knew where to start looking. The only Almack’s voucher that I have ever seen on the internet is part of the Stowe Collection held at the Huntington Library in San Marino, California, USA. It was included in an exhibition in 2011, Revisiting the Regency: England, 1811-1821.

Vanessa Wilkie, Curator of Medieval and British Historical Manuscripts at the Huntington Library, has the voucher in her care and was able to help me.

She told me that the voucher was printed on very strong cardboard and was about the same size as a business card – approximately 2.5 inches by 3.5 inches (or 6.25cm by 8.75cm). To help me get a feel for what this was like, I printed out the image using these dimensions. As you can see from the photograph, it would easily fit inside my Regency reticule.

My Regency reticule with a printed copy of the voucher for Almack's  Used with kind permission STG Misc. Box 7 (Almack's Voucher),   © The Huntington Library, San Marino, CA
My Regency reticule with a printed copy of the voucher
Image of Almack's voucher used with kind permission
STG Misc. Box 7 (Almack's Voucher)
© The Huntington Library, San Marino, CA
The Marchioness of Buckingham

The voucher was issued to the Marchioness of Buckingham for the balls on the Wednesdays in April 1817. But who was she?

The Marchioness in question was Anna Elizabeth Temple-Nugent-Brydges-Chandos-Grenville, Duchess of Buckingham and Chandos (1779-1836). Lady Anna Elizabeth Brydges married Richard, Earl Temple, in 1796. He succeeded his father as Marquess of Buckingham in 1813 and was made Duke of Buckingham and Chandos, and Earl Temple of Stowe, in 1822. So in 1817, Anna Elizabeth would have been known as the Marchioness of Buckingham.

Evening dress from Ackermann's Repository (March 1817)
Evening dress
from Ackermann's Repository (March 1817)
Anna Elizabeth's husband does not seem to have had a very good reputation. In June 1816, the Times mentioned an affair of honour between the Marquess of Buckingham and Sir Thomas Hardy "in consequence of a dispute at the Opera-house."1
 
He has been described as inept, greedy and extravagant, but his wife seems to have been a very capable woman. In 1828, Anna Elizabeth forced her husband to make a resettlement in her favour after he had sold off lands from her marriage settlement in order to pay his debts.

I cannot help wondering whether any of the patronesses of Almack’s would have granted the unsavoury Marquess a voucher or not.

The Marchioness of Downshire

Vanessa told me that her predecessor, Dr Robertson, had noted that the initials in the bottom right-hand corner ‘M.D’ “might be Mary Marchioness of Downshire who may briefly have been a patroness ca. 1816-17.”2

I have read on several Regency blogs that the Marchioness of Downshire was a patroness of Almack's. This is supported by contemporary correspondence and lists of patronesses in advertisements for the balls at Almack's in the Morning Post.3

Evening dress  from Ackermann's Repository (May 1817)
Evening dress
from Ackermann's Repository (May 1817)
Mary Hill, Marchioness of Downshire (1764-1836), was a wealthy and politically influential landowner. In 1802, she was made Baroness Sandys of Ombersley in her own right. She managed the family’s estates in Ireland during her son’s minority, but came to England to live in 1812. During a visit to London in 1819, Ticknor wrote “those that interested and pleased me most were the Marchioness of Downshire and her daughters.”4

What else can we learn from the voucher?

As you can see, there is a red wax seal in the bottom left-hand corner of the card. Vanessa told me that this is intact. Unfortunately the imprint is illegible.5

Verso of ladies' voucher for Almack's   Used with kind permission  STG Misc. Box 7 (Almack's Voucher)  © The Huntington Library, San Marino, CA
Verso of ladies' voucher for Almack's
Used with kind permission
STG Misc. Box 7 (Almack's Voucher)
© The Huntington Library, San Marino, CA
A new piece of information that I gleaned from Vanessa is that the back of the voucher is inscribed with the words "Pall Mall" (shown above). Is this where the Marchioness of Buckingham was living and the address to which the voucher was to be delivered?

Carlton House, with its main entrance facing Pall Mall  from Ackermann's Repository (1809)
Carlton House, with its main entrance facing Pall Mall
from Ackermann's Repository (1809)
The faint words written in brown ink on the top of the card are thought to read ‘Third Set’.5 Various suggestions have been made as to what these words mean - a third set of vouchers, a third sitting for supper or the third set in a dance? It seems most likely that they refer to the third set of quadrilles being danced at Almack's. What do you think they meant?

Headshot of Rachel Knowles author with sea in background(2021)
Rachel Knowles writes clean/Christian historical romance set in the time of Jane Austen. She has been sharing her research on this blog since 2011. Rachel lives in the beautiful Georgian seaside town of Weymouth, Dorset, on the south coast of England, with her husband, Andrew.

Find out more about Rachel's books and sign up for her newsletter here.

If you have enjoyed this blog and want to encourage me and help me to keep making my research freely available, please buy me a virtual cup of coffee by clicking the button below.

 
Notes
(1) From The Times, London, 18 June 1816, The Times Digital Archive accessed 24 Jan 2015.
(2) From the catalogue notes for the voucher at the Huntington Library.
(3) For example, Jane Austen’s World blog, Candice Hern’s Facebook page and Carolyn Jewel’s comment on the Huntington Library’s Flickr image of the voucher.
(4) From an 1819 entry in Life, Letters and Journals of George Ticknor (1876).
(5) From comments by the Huntington Library on their Flickr image of the voucher.

Sources used include:
Thompson, FML, Grenville, Richard Temple-Nugetn-Brydges-Chandos, 1st Duke of Buckingham and Chandos (1776-1839), Oxford Dictionary of National Biography (Oxford University Press, 2004; online edn May 2009, accessed 24 Jan 2015)
Ticknor, George, Life, Letters, and Journals of George Ticknor (1876)
Richey, Rosemary, Hill, Mary, Marchioness of Downshire and suo jure Baroness Sandys of Ombersley (1764-1836), Oxford Dictionary of National Biography (Oxford University Press, 2004; online edn Jan 2008, accessed 24 Jan 2015)

The image of the Almack's voucher is used with kind permission from the Huntington Library: STG Misc. Box 7 (Almack's Voucher), © The Huntington Library, San Marino, CA.

If you wish to download a low resolution image of the voucher for your personal use, please follow this link to The Huntington Digital Library.

All photographs © RegencyHistory.net