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| George, Prince of Wales, by Hoppner © The Wallace Collection |
| Brocket Hall, Hertfordshire © Colin Brown |
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| Peers (from left to right): duke, marquess, earl, viscount, baron from A book explaining the ranks and dignitaries of British Society (1809) |
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| George, Prince of Wales, by Hoppner © The Wallace Collection |
| Brocket Hall, Hertfordshire © Colin Brown |
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| Peers (from left to right): duke, marquess, earl, viscount, baron from A book explaining the ranks and dignitaries of British Society (1809) |
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| The Devonshire, or most approved method of securing votes by Thomas Rowlandson, published by William Humphrey (1784) © British Museum |
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| Left: Charles James Fox from The Historical and Posthumous Memoirs of Sir Nathaniel Wraxall (1884) Right: William Pitt the Younger from Memoirs of George IV by R Huish (1830) |
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| The Westminster hustings in front of St Paul's Church, Covent Garden from Covent Garden its romance and history by R Jacobs (1913) |
“A propos of elections – I had like to have got into a fine scrape the other night. I was going to pass the evening at Mrs Cole’s in Lincoln’s Inn Fields. I went in a chair; they carried me through Covent Garden: a number of people, as I went along, desired the men not to go through the Garden, as there were a hundred armed men who, suspecting every chairman belonged to Brookes’s, would fall upon us. In spite of my entreaties, the men would have persisted; but a stranger, out of humanity, made them set me down, and the shrieks of the wounded, for there was a terrible battle, intimidated the chairmen, who at last were prevailed upon to carry me another way. A vast number of people followed me, crying out, “It is Mrs Fox: none but Mr Fox’s wife would dare to come into Covent Garden in a chair; she is going to canvass in the dark.” Though not a little frightened, I laughed heartily at this, but shall stir no more in a chair for some time.” (2)The ladies of the election
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| From left to right: Georgiana Cavendish, Duchess of Devonshire; Henrietta Ponsonby, Lady Duncannon, later Countess of Bessborough; Anne Seymour Damer (7) |
“Several ladies of rank and fashion stood forth as Fox’s friends—at their head, Georgiana, the eldest daughter of Earl Spencer, and the wife, since 1774, of the fifth duke of Devonshire. Of great beauty and unconquerable spirit, she tried all her powers of persuasion on the shopkeepers of Westminster. Other ladies who could not rival her beauty might at least follow her example. Scarce a street or alley which they did not canvass in behalf of him whom they persisted in calling 'the Man of the People', at the very moment when the popular voice was everywhere declaring against him.” (3)The Duchess of Devonshire
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| Female influence; or the Devons-e canvas published by William Wells (1784) © British Museum |
“It was at this election that the beautiful Georgiana, Duchess of Devonshire, successfully wooed the electors for the great Whig leader by her smiles and her kisses. ‘Your eyes are so bright, my lady, that I could light my pipe by them,’ said an Irish labourer to her at Covent Garden. She is said to have valued that compliment more highly than any she received during a long and brilliant career in social and political life. ‘The Duchess having purchased the vote of an impracticable butcher by a kiss is said to be unquestionable,’ says Earl Stanhope.” (4)Dr Cornwallis wrote:
“The Duchess of Devonshire is indefatigable in her canvass for Fox; she was in the most blackguard houses in Long Acre by eight o’clock this morning.” (5)'Woman of the People'
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| Ride for ride or secret influence rewarded published by Edward Shirlock (1784) © British Museum |
“Westminster goes on well in spite of the Duchess of Devonshire and the other 'Women of the People'; but when the poll will close is uncertain.” (3)Disillusioned by the polls which suggested that Fox was going to lose and worn down by both the physical exertion and the mental torment of the hateful press, the Duchess left Westminster on 12 April and went to stay with her mother. But the tide was beginning to turn in Fox’s favour and the Whigs begged her to return, believing that her charismatic presence was winning people over. Refreshed, the Duchess returned to Westminster and continued to canvas for Fox.
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| Procession to the hustings after a successful canvass by Thomas Rowlandson, published by William Humphrey (1784) © British Museum |
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| Prime Ministers of William IV Left to right: Duke of Wellington, Earl Grey, Viscount Melbourne, Sir Robert Peel (2) Collage © Rachel Knowles |
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| Arthur Wellesley, 1st Duke of Wellington by Robert Home oil on canvas (1804) © NPG 1471 (1) |
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| Earl Grey from The Life and Times of England's Patriot King William IV by J Watkins (1831) |
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| William Lamb, 2nd Viscount Melbourne from The History of White's by Hon Algernon Bourke (1892) |
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| Duke of Wellington (details as above) |
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| Sir Robert Peel, 2nd Baronet by John Linnell oil on panel (1838) © NPG 772 (lightened) (1) |
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| William Lamb, 2nd Viscount Melbourne (details as above) |
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| Prime Ministers of George IV Left to right: Lord Liverpool, George Canning, Viscount Goderich, Duke of Wellington (2) |
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| Spencer Perceval, from The Life and Administration of the Right Hon Spencer Perceval by Charles Williams (1813) |
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| Lord Liverpool, from the European Magazine and London Review (1818) |
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| Lord Liverpool (details as above) |
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| George Canning from The Creevey Papers by Thomas Creevey (1912) |
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| Frederick John Robinson, 1st Earl of Ripon, by Sir Thomas Lawrence oil on canvas (c1824) © NPG 4875 (1) |
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| Arthur Wellesley, 1st Duke of Wellington by Robert Home oil on canvas (1804) © NPG 1471 (1) |
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| Four of the Prime Ministers of George III Left to right: Lord Bute, Lord North,William Pitt the Younger, Lord Liverpool (2) |
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| Thomas Pelham-Holles, 1st Duke of Newcastle-under-Lyne Pastel by William Hoare (c1752) © NPG 757 (1) |
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| Lord Bute from The Historical and Posthumous Memoirs of Sir Nathaniel Wraxall (1884) |
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| George Grenville by and published by Richard Houston after William Hoare mezzotint (c1750-75) © NPG D20047 (cropped) (1) |
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| Charles Watson-Wentworth, 2nd Marquess of Rockingham, after Sir Joshua Reynolds, oil on canvas, feigned oval (c1768) © NPG 406 (1) |
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| William Pitt, 1st Earl of Chatham, studio of William Hoare, oil on canvas (c1754) © NPG 1050 (1) |
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| Augustus Henry Fitzroy, 3rd Duke of Grafton, by Pompeo Batoni, oil on canvas, feigned oval (1762) © NPG 4899 (1) |
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| Frederick, Lord North, from The Last Journals of Horace Walpole (1910) |
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| Charles Watson-Wentworth, 2nd Marquess of Rockingham (Details as above) |
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| William Petty, 1st Marquess of Lansdowne, (Lord Shelburne) after Sir Joshua Reynolds oil on canvas (1766) © NPG 43 (1) |
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| William Henry Cavendish Bentinck, 3rd Duke of Portland, by William Evans after Sir Joshua Reynolds, stipple engraving pub 1811 ©NPG D31637 (Cropped & lightened) (1) |
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| William Pitt the Younger from Posthumous Memoirs of his own time by N Wraxall (1836) |
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| Henry Addington, 1st Viscount Sidmouth by Sir William Beechey, oil on canvas engraved 1803 © NPG 5774 (1) |
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| William Pitt the Younger (details as above) |
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| William Wyndham Grenville, 1st Baron Grenville by John Hoppner oil on canvas (c1800) © NPG 318 (1) |
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| William Bentinck, 3rd Duke of Portland (details as above) |
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| Spencer Perceval, from The Life and Administration of the Right Hon Spencer Perceval by Charles Williams (1813) |
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| Lord Liverpool, from the European Magazine and London Review (1818) |
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| The House of Commons from The Microcosm of London (1808-10) |
Georgian politics
With the UK’s General Election on 7 May fast approaching, politics is an inescapable topic of conversation. I have found it equally impossible to research the leading figures of late Georgian society without coming up against the dreaded subject.
During the Georgian period, there were two main political parties: the Whigs and the Tories. Georgiana Cavendish, Duchess of Devonshire, her sister Lady Bessborough, actress Mary Robinson, Lady Melbourne and the sculptor Anne Seymour Damer were all ardent supporters of the Whigs. On the other side, the Duchess of Gordon was a leading political hostess for the Tories.
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| Left: Charles James Fox from The Historical and Posthumous Memoirs of Sir Nathaniel Wraxall (1884) Right: William Pitt the Younger from Memoirs of George IV by R Huish (1830) |
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| George IV by Sir Thomas Lawrence © National Portrait Gallery Photo © Andrew Knowles |
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